- Hindi
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When things get worse, Badki decides to go to Mumbai and seek a living for the family. Alone and unsupported in the midst of the urban jungle of Mumbai, Badki battles with dark forces, keeping her focus on her purpose to support her family and continue Chutki's education. She deliberately morphs into someone else, leading a secret life full of murky compromises.
When Chutki comes to Mumbai to work, things take a dramatic turn. Badki's life turns into a minefield, as she has to hide her secrets from Chutki. Chutki finds success at work, and love that delights her heart. Badki finds the m! agic of love, but lets it slip away before it can blossom, as she believes it's not in her destiny. She battles menace and blackmail alone, not letting these dark shadows fall on Chutki or her family.
But her dual life is revealed, and the two sisters are face to face, in a confrontation neither had expected. And when love beckons Badki again, the whole family is thrown in a tumultuous storm. Everything threatens to explode in their faces, destroying all of them.
Will Badki get the happy ending she deserves? Or will the shadows of her past douse the lamps of hope?
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This 2003 cast recording is an update of a song cycle by Andrew Lloyd Webber and lyricist Don Black. First produced in London in 1982 as half of an evening titled Song and Dance, Tell Me on a Sunday is pretty much a one-woman show and a vehicle for a versatile singer with strong acting skills (Bernadette Peters won a Tony for it in 1985). This time, Denise Van Outen, a Chicago alum, takes on the role of the young British woman who goes to New York in order to get over a broken heart. Overall, this is one of Sir L! loyd Webber's most rocking scores, even if too often the results sound like the work of someone desperately trying to sound au courant. "Haven in the Sky," for instance, is a quasi-dance track with a trip-hop beat. When the heroine goes to L.A., the tone turns to folk-rock ("Capped Teeth and Caesar Salad"), but the composer is defeated by Black's clunky lyrics. Kudos to Van Outen for infusing perky charm into even the tritest moments. --Elisabeth VincentelliWhen Denise found out she was expecting Betsy, she went straight out and bought a wide range of titles, from celebrity mumoir to practical guides to eating and exercising properly. But all of these books were missing something - the element of fun! BUMPALICIOUS is much more than just a pregnancy diary - as well as Denise's own personal experiences, you'll also find helpful hints and tips, non-judgemental advice, nutritional and technical advice from food and fitness experts and, above all, a book that encou! rages you to relax and ENJOY the excitement of pregnancy and t! he first few months of being a new mum. The road to giving birth may be a bumpy one but it's not all swollen ankles and morning sickness. A frank first-hand account of what to expect when you're expecting, reading BUMPALICIOUS is like sitting down and having a good old natter with Denise, from the comfort of your couch.This is a truly exceptional item! A high quality poster print measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with confidence from Moviestore.
This is a story about home . . .
At a time when much of America is yearning to recapture the spirit and feelings of a more innocent era, comes this exceptional new book from one of our most beloved actresses: a story of one woman's journey to reconnect with the landscape of her childhood.
Though best known today as the star of the television series Once & Again and Sisters, Sela Ward considers herself first and foremost a small-town girl. The eldest of four children! , she was raised by a father who helped her believe in herself, and by a mother who taught her a sense of the importance of virtues like self-respect, grace, and sacrifice. In her hometown of Meridian, Mississippi, within a tightly-knit community of neighbors and kin, Sela learned ways that would remain with her throughout life -- humble virtues that were "forged in the hearth of a loving home."
After graduating from the University of Alabama, Sela left the South in search of the excitement of cities like New York and Los Angeles, and the creative rewards of an acting career. But as she started her own family, she found herself pining for the comforts of her small-town childhood -- and searching for a way to balance her children's West Coast upbringing with a taste of a more natural way of life. She and her husband built a second home on a farm there, where she and her family could retreat several times each year, and became involved in several projects designed to r! estore the vitality of the hometown she remembered so fondly. ! Even as Sela was reconnecting with the rhythms of home, though, her world was rocked by a crisis the family had long anticipated but never quite prepared for -- the death of her mother. As her family gathered around her mama's bedside, Sela's simple journey home became something far deeper: a turning point in her own life, as she pondered her mother's complicated legacy, and came to terms with just what it was she herself was searching for.
Filled with warmth, storytelling, and laughter, Homesick is a book to treasure: an exploration of the lessons we carry away with us from childhood, and a celebration of the bittersweet legacy of home.
Starring Golden Globe and Emmy Award-winning Sela Ward and Golden Globe nominee Billy Campbell, Once And Again explored brave new territory with the compelling story of two families blending at the seams. The second marriage of Lily Manning (Ward) to Rick Sammler (Campbell) pushes both to the limit as they try for domestic norma! lcy while navigating divorce, parenting, financial hardship and many other life lessons.From the creators of thirtysomething and My So-Called Life comes the complete first season DVD Collection. Enjoy all the moving moments and memorable performances of a brilliant supporting cast, including Shane West (A Walk To Remember) and Evan Rachel Wood (Practical Magic) once and again.Rick (Billy Campbell) and Lily (Sela Ward) are fortysomething parents with two kids; both are still feeling the repercussions of their failed first marriages; both are haplessly single and consumed by their family identities (plus, let's just face it, both are gorgeous beyond belief). Dropping off their respective kids at school in their respective SUVs, they spy each other across a crowded driveway. Granted, it's not terribly romantic, but sparks fly and tentatively, embarrassingly, like teenagers, they embark on a first date--awkward conversation and fumbling make-out sessions in cars incl! uded. So begins the acclaimed TV series Once and Again ! from pro ducers Edward Zwick and Marshall Herskovitz, the guys who brought you über-sensitive dramas thirtysomething and My So-Called Life. And like those award-winning shows, Once and Again mines the mundane and ordinary to find extraordinary drama, tackling both midlife crisis and teen angst, as Rick and Lily's kids (most notably heartthrob Shane West and blooming wallflower Julia Whelan) navigate the perils of high school while their parents traverse the mine field of adult romance, with ex-spouses and disapproving family members lurking in the shadows.
The first season takes Rick and Lily from first date alone to first date en famille, in which their respective broods finally meet and confront the fact that their parents--gasp!--like each other. Along the way, there's amazing writing, pitch-perfect direction that takes scenes from comedy to drama in seamless swoops, and a tight-knit ensemble that hits all the right notes. Ward won an Emmy for this ! first season as the anxiety-ridden Lily, but she's equally matched by the quietly stunning Campbell, and their interaction is touching, funny, sexy, and heartbreaking--everything you could want in a romance, and more. --Mark Englehart"Sela Ward stars as beautiful, vulnerable heiress Sarah Hardy, recently wed and returning to her isolated childhood home, The Pines, to claim her inheritance. But something--or someone--evil waits there for her."
The vibrant and beloved star of Once and Again and Sisters offers a story about her journey home to recapture the magic of youth in the deep South for her children and to make peace with the death of her mother.
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At a time when much of America is yearning to recapture the spirit and feelings of a more innocent era, comes the paperback edition of this exceptional book, from one of our most beloved actresses: a story of one womanâs journey to reconnect with the landscape of her childhood.
Though best known today as the star of the television serie! s Once & Again and Sisters, Sela Ward considers herself first and foremost a small-town girl. The eldest of four children, she was raised by a father who helped her believe in herself, and by a mother who taught her a sense of the importance of virtues like self-respect, grace, and sacrifice. In her hometown of Meridian, Mississippi, within a tightly-knit community of neighbors and kin, Sela learned ways that would remain with her throughout lifeâ"humble virtues that were âforged in the hearth of a loving home.â
Long after she had established herself as a successful model and Emmy Award winning actress, Sela started her own family, and found herself pining for the comforts of her small-town childhood. In an effort to balance her childrenâs West Coast upbringing with a taste of a more natural way of life, she and her husband built a second home on a farm in Meridian, Mississippi so that her family could retreat there several times each year.
Even as Sela was recon! necting with the rhythms of home, though, her world was rocked by a crisis the family had long anticipated but never quite prepared forâ"the death of her mother. As her family gathered around her mamaâs bedside, Selaâs simple journey home became something far deeper: a turning point in her own life, as she pondered her motherâs complicated legacy, and came to terms with just what it was she herself was searching for.
Filled with warmth, storytelling, and laughter, Homesick is a book to treasure: an exploration of the lessons we carry away with us from childhood, and a celebration of the bittersweet legacy of home. Â
The vibrant and beloved star of Once and Again and Sisters offers a story about her journey home to recapture the magic of youth in the deep South for her children and to make peace with the death of her mother.
Â
At a time when much of America is yearning to recapture the spirit and feelings of a more innocen! t era, comes the paperback edition of this exceptional book, f! rom one of our most beloved actresses: a story of one womanâs journey to reconnect with the landscape of her childhood.
Though best known today as the star of the television series Once & Again and Sisters, Sela Ward considers herself first and foremost a small-town girl. The eldest of four children, she was raised by a father who helped her believe in herself, and by a mother who taught her a sense of the importance of virtues like self-respect, grace, and sacrifice. In her hometown of Meridian, Mississippi, within a tightly-knit community of neighbors and kin, Sela learned ways that would remain with her throughout lifeâ"humble virtues that were âforged in the hearth of a loving home.â
Long after she had established herself as a successful model and Emmy Award winning actress, Sela started her own family, and found herself pining for the comforts of her small-town childhood. In an effort to balance her childrenâs West Coast upbringing with a taste of a more ! natural way of life, she and her husband built a second home on a farm in Meridian, Mississippi so that her family could retreat there several times each year.
Even as Sela was reconnecting with the rhythms of home, though, her world was rocked by a crisis the family had long anticipated but never quite prepared forâ"the death of her mother. As her family gathered around her mamaâs bedside, Selaâs simple journey home became something far deeper: a turning point in her own life, as she pondered her motherâs complicated legacy, and came to terms with just what it was she herself was searching for.
Filled with warmth, storytelling, and laughter, Homesick is a book to treasure: an exploration of the lessons we carry away with us from childhood, and a celebration of the bittersweet legacy of home. Â
Golden Globe(R) award-winner Sela Ward and Billy Campbell star in the highly acclaimed second season of ONCE AND AGAIN. Celebrate the loves and experience the! triumphs and heartbreak that made ONCE AND AGAIN a favorite a! mong cri tics and audiences everywhere. It's "a great show," raves Robert Bianco of USA TODAY. Now you can experience all 22 episodes of season two in this spectacular five-disc set, featuring exclusive bonus features. It's everything you remember and so much more. After the romantic courtship and the awkwardness of first dates, Once and Again in its second season settled into charting the growing relationship between fortysomethings Lily (Sela Ward) and Rick (Billy Campbell), who finally shook off all their angst and family pressures to embark on a long-term relationship. And of course, once finally committed in their love for each other, life rudely interrupts what should have been a comfortable, winding road to happily ever after. Rick's architecture firm is hand-picked for a new high-profile project, but it's dogged by community protests and run by the ever-devious Miles Drentell (David Clennon, reprising his shady character from thirtysomething); what's more, Rick'! s ex-wife, Karen (Susanna Thompson), is the lawyer representing the project's opposition. Lily finds herself as the assistant to a twentysomething entrepreneur at a fledgling dot-com, and the victim of the amorous, non-professional interests of a consultant for the troubled company. She's also faced with the fate of her late father's restaurant, run by her ex-husband, Jake (Jeffrey Nordling), who's charming but not the best of businessmen, and his financial strain soon becomes hers as well. Oh, and then there are the kids: Rick's son Eli (Shane West) would rather start a band than go to college, and daughter Jessie (Evan Rachel Wood) may be anorexic; Lily's daughter Grace (Julia Whelan) falls into a friendship with a troubled girl, and only Zoe (Meredith Deane) seems to be the most normal--that is, when she isn't worried about Rick and his kids moving into her house. The course of true love never did run smooth, and truth be told, there were a bit too many plot twists ! cooked up for this season of the Edward Zwick-Marshall Herskov! itz dram a (including a hostage episode at Jake's restaurant that garnered high ratings), but the creative team behind this show managed a deft balancing act among all the characters and plotlines. Teenage angst co-existed alongside more adult worries, and the specter of professional and money troubles for both Rick and Lily kept the characters grounded in a reality not often seen in television dramas. And in addition to giving all the cast members shining moments, Once and Again developed an extensive number of secondary characters, including Lily's mentally ill brother Aaron (Patrick Dempsey), Jake's flighty girlfriend Tiffany (Ever Carradine), Karen's hunky younger boyfriend (Mark Feuerstein), and an uncredited Edward Zwick as Jessie's therapist. It was the core cast, however, that made Once and Again soar--teen actors West and Whelan broke their characters' stereotypical molds, the young Wood (who would go on to star in thirteen) was outstanding as she naviga! ted blooming adolescence: Nordling and Thompson, as the exes on the periphery, were two of the best supporting actors ever on television. As always, though, Ward and Campbell were the show's heart and soul, always communicating the underlying waves of frustration and anger in their character's facades as well as the love and happiness. Despite low ratings, ABC renewed Once and Again for a third and final season, giving all us fans of great television (and hopeless romantics) one more year with Rick and Lily after this one. --Mark Englehart
Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams.
A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, "Wedding planning ka bijness". The rules however, are clear: "Jisse vyapaar karo, usse kabhi na pyaar karo" (Don't mix business with pleasure).
Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to! find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band!At Patiala House lives the Kahlon family ruled by Bauji. They follow his diktats as he tries to hold onto his 'Indian values' in the land of the 'goras'. The younger generation at the Patiala House wants to assert themselves and follow their dreams but are held back by their respect and love for Bauji and the shining example of Bauji's eldest son, Parghat Singh Kahlon aka Gattu. Gattu gave up his dream at the altar of Bauji's biases. His reward: For the last 17 years he has opened the corner store across the tube station. He will tend to his customers, hear the neighbourhood boys playing cricket in the back alley. He will remember a dream that could have become a reality and watch his father rule a house, a family, a community like he has for the last 25 years. He will silently tolerate the snide remarks and insults passed by a younger generation. He will understand the bitterness of his siblings and identify with their shattered dreams. Then he will participate to bring forth a change. He will finally summon the courage to challenge his father and start a movement that will shake the very foundations of Patiala House. Will Bauji loosen his hold and let the youngsters find their own dreams instead of following his? Will Gattu get a second chance to live his life? What's more important: family or dreams? And why must we choose one over the other. 'Patiala House' has been inspired by England cricket team's Sikh member Monty Singh Panesar. Panesar is the first Sikh to join England cricket team and the spinner is a crowd favourite.
1960 FILM SYNOPSIS: A suspenseful and disturbing tale of obsession and guilt. Dong-sik (Kim Jin-kyu) is a music teacher whose wife (Ju Jeung-ryu) is expecting a baby. The couple already has two children, and Dong-sik is having trouble covering the bills now that they've moved into a bigger house at his wife's insistence. Hoping to make things easier for his spouse, Dong-sik hires a young woman (Lee Eun-shim) to help with the household chores. However, the new housekeeper has a secret -- she was a close friend of a woman who lost her job and then her life as a result of Dong-sik's betrayal of a confidence. Soon the new housekeeper is using her sensual wiles to lure Dong-sik into infidelity and wrecking her revenge against him and his loved ones.
2010 FILM SYNOPSIS: An official selection of the 2010 Cannes Film Festival. Eun-yi, a middle-aged poor divorcee, is hired as an upper class family housemaid. But soon enough, the master of the house, Hoon, takes advantage of his social position by slipping into her sheets. Hoon's visits become frequent and Byung-sik, an old housemaid, reports the affair to Hoon's mother in law, who plots to give her daughter, Hae-ra, control over her husband. Soon Eun-yi miraculously becomes pregnant and wants to keep the baby. This is discovered by the family and she's forced to have an abortion despite her plea to let her keep the baby and leave the house. This traumatic event causes a mental breakdown and she decides to take matters into her own hands.CURSE OF FEBRUARY 29TH - DVD Movie
It wonât be easy. Despite Earlâs good-natured appeals (along with an occasional spectacular display of Godâs awesome powers), Grace is nigh on incorrigib! le. And while each episode features a crime of some sort, rang! ing from murder and child abduction to the theft of a million-dollar statue of a steer, creator-writer Nancy Miller (who was an executive producer for The Closer, another TNT series with a strong female lead) focuses much more on Graceâs ongoing struggle to accept Earlâs presence ("Why me?" she asks. "I donât know," comes the reply) and do something to clean up her life. The showâs bluesy, authentic music (including Everlastâs title tune), dry sense of humor, and sexy tone (Hunter, looking very buff, is nearly nude on numerous occasions) are all positive elements; soâs the supporting cast, especially Rippy and Laura San Giacomo (as a police examiner whoâs Graceâs best pal). But Saving Grace is all about Holly Hunter, and by and large thatâs a very good thing. Bonus features include audio commentary by Miller and others on two episodes and several short featurettes. --Sam GrahamALWAYS - DVD MovieConsidered by many to represent a low point in Ste! ven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood! classicism. Unlike the masters he is constantly quoting and e! mulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghCarnelle isn't happy with her life, so in order to improve herself she enters a local beauty contest, trying to emulate her cousin Elain's win many years ago. Few think she can win, even her closest friends and relatives (e.g. slightly mad cousin Delmount) think she's heading for a big disappointment, but Carnelle is ever hopeful, seeing a win as a ticket to escape her small town in Mississippi.Considered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in ! the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he f! orgets to back off and let the movie breathe on its own somet! imes, wh ich would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghRichard Dreyfuss and Holly Hunter lead an all-star cast in this critically acclaimed tale of life, love and chance. Jilted by her boyfriend, Renata (Hunter), the oldest daughter of a close-knit Italian-American family, falls in love with Sam (Dreyfuss), an abrasive and forcefully charming businessman. But neither her spirited sister (Laura San Giacomo), her down-to-earth father (Danny Aiello), or her supportive mother (Gena Rowlands) can tolerate Sam's often obnoxious intrusion into their family circle. Aggressive and overwhelmingly generous, Sam proceeds - with only the best intentions - to disrupt and nearly demolish Renata'! s family. Love, humor and forgiveness go once more around as the Bellas try to balance Renata's happiness with their family's survival in this funny and often touching story, directed by Lasse Hallstrom.On the fourth thursday in november 84 million american families will gather together.. And wonder why. Studio: Tcfhe/mgm Release Date: 10/17/2006 Starring: Holly Hunter Steve Guttenberg Run time: 103 minutes Rating: Pg13 Director: Jodie FosterHolly Hunter plays a Chicago-based single mom who--on the day before Thanksgiving--loses her job and is informed by her daughter of the latter's intention to surrender her virginity while on a weekend-long affair. If that's not enough, Hunter's character then has to fly to Baltimore to join her fractious family for another difficult Thanksgiving. Robert Downey Jr. is terrifically charming as her prankish, gay brother, and Anne Bancroft and Charles Durning show plenty of comic resilience during the predictably interesting Thanksgiv! ing dinner scene. The script by W.D. Richter (Brubaker)! avoids the usual clichés in family dramas--the deepest, darkest secret revealed here involves the painfully sweet revelation of a 40-year-old crush. Jodie Foster, directing her second feature, focuses instead on the inevitable softening of old grudges and disappointments with time. This is a wise as well as wonderfully fun movie. --Tom Keogh The original title of Living Out Loud was The Kiss, which also happens to be the title of one of the two Anton Chekhov stories the movie is loosely based on. (For those Russian lit mavens out there, the other story is "Misery.") The actual kiss in Living Out Loud is a somewhat mysterious affair: newly single Judith (Holly Hunter) suddenly finds herself laying a wet 'n' sloppy one on a total stranger (Elias Koteas, Hunter's Crash costar) in the back room of a cool jazz club, and then parting ways with the man. For good. Like so much of this exceptionally smart, generous movie, no explanation is given--or nec! essary. Screenwriter Richard LaGravenese (The Fisher King), making his directing debut, charts Judith's struggles in the wake of being dumped by her doctor husband (Martin Donovan). It turns out life has its ups and downs, some of which come courtesy of the elevator operator (Danny DeVito) in her swanky Upper East Side apartment building. DeVito's character is a nice guy in need of a little human touch, and the actor soft-pedals his usual sleaze in favor of a warm, directly emotional approach. It's the kind of turn that garners Oscar nominations, except that this movie didn't attract the box office it deserved. His performance, like the film, keeps surprising you--a fantasy sequence here, an ensemble dance there, plus a couple of smoky jazz tunes contributed by Queen Latifah. This unpredictable movie has the kiss of class. --Robert HortonPOSITIVELY TRUE ADVENTURES OF THE ALL - DVD MovieDirected by Michael Ritchie (The Candidate) with an eye toward his t! errific 1970s legacy of social and political satires, this 199! 3 HBO co medy stars Holly Hunter as the real-life Texas woman who solicited a killer to aid her daughter's dream of becoming a high school cheerleader. Hunter is remarkable in the lead, somehow both scary and sympathetic. But it is Ritchie who gets to the heart of the matter in the aftermath of the murder, when there is a mad scramble by the media and Hollywood to package the absurdist atrocity for their own ends. One of the director's more biting studies of the shadow side of ritual Americana, this is not for anyone looking for a bull docudrama. --Tom Keogh