Haribo Gummi Candy Gold-Bears, 5-Pound Bag

• One 5-pound bag containing approximately 485 pieces
• Naturally flavored with balanced sweetness
• Mouth watering, colorful candy
• Flavors are pineapple (white), strawberry (green), lemon (yellow), orange (orange), and raspberry (red)

Haribo Gummy Gold Bears Candy is soft, chewy and translucent. And they are bursting with beary yummy flavor. There is nothing quite as whimsically delicious as gummy bears, a candy popular the world over for its sprightly personality and fruity taste. Squeeze them, line them up and make them dance, or just plain eat them. Haribo Gold-Bears are a mixed delight of white/pineapple, green/strawberry, yellow/lemon, orange/orange, and red/raspberry gummy bears.

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Edward Scissorhands [DVD] Full Screen 10th Anniversary Edition

• Full Screen Anniversary Edition (2005)
• Audio Commentary by Tim Burton & Danny Elfman
• Featurette & Concept Art
• Languages: English, Spanish & French. Subtitles: English & Spanish
• Original Theatrical Trailer & TV Spots

Once upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp! ), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fanta! sy, but Edward Scissorhands is more tender and personal! than th e others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fanta! stical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly! against the outsider when he starts to feel his own desires, ! particul arly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistib! le charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her,! where she hopes to help him with his pasty complexion and tho! se nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for t! he monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follows a young man named Edward (Johnny Depp), who was created by an inventor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be p! erched above a pastel-colored suburb inhabited by breadwinning! husband s and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to fil! m, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerOnce upon a time in a castle high on a hill lived an inventor whose greatest creation was named Edward. Although Edward had an irresistible charm, he wasn't quite perfect. The inventor's sudden death left him unfinished, with sharp shears of metal for hands. Edward lived alone in the darkness until one day a kind Avon lady took him home to live with her family. And so began Edward's fantastical adventures in a pastel paradise known as Suburbia.Edward Scissorhands achieves the nearly impossible feat of capturing the delicate flavor of a fable or fairy tale in a live-action movie. The story follo! ws a young man named Edward (Johnny Depp), who was created by ! an inven tor (Vincent Price, in one of his last roles) who died before he could give the poor creature a pair of human hands. Edward lives alone in a ruined Gothic castle that just happens to be perched above a pastel-colored suburb inhabited by breadwinning husbands and frustrated housewives straight out of the 1950s. One day, Peg (Dianne Wiest), the local Avon lady, comes calling. Finding Edward alone, she kindly invites him to come home with her, where she hopes to help him with his pasty complexion and those nasty nicks he's given himself with his razor-sharp fingers. Soon Edward's skill with topiary sculpture and hair design make him popular in the neighborhood--but the mood turns just as swiftly against the outsider when he starts to feel his own desires, particularly for Peg's daughter Kim (Winona Ryder). Most of director Tim Burton's movies (such as Pee Wee's Big Adventure, Beetlejuice, Batman) are visual spectacles with elements of fantasy, but Edward Scissorhands is more tender and personal than the others. Edward's wild black hair is much like Burton's, suggesting that the character represents the director's own feelings of estrangement and co-option. Johnny Depp, making his first successful leap from TV to film, captures Edward's childlike vulnerability even while his physical posture evokes horror icons like the vampire in Nosferatu and the sleepwalker in The Cabinet of Dr. Caligari. Classic horror films, at their heart, feel a deep sympathy for the monsters they portray; simply and affectingly, Edward Scissorhands lays that heart bare. --Bret FetzerEdward Scissorhands (Full Screen Anniversary Edition), 2005 release by 20th Century Fox Home Entertainment.

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Cleopatra's Daughter: A Novel

• ISBN13: 9780307409133
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Her palace shimmered with onyx and gold but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator. She was married twice, each time to a brother. She waged a brutal civil war against the first and poisoned the second; incest and assassination were family specialties. She had children by Julius Caesar and Mark Antony, two of the most prominent Romans of the day. With Antony she would attempt to forge a new empire, in an alliance that spelled both their ends. Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Her supple personality and the drama of her circumstances have been lost. ! In a masterly return to the classical sources, Stacy Schiff boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.This book was converted from its physical edition to the digital format by a community of volunteers. You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

Bestselling novelist Margaret George brings to life the glittering kingdom of Cleopatra, Queen of the Nile, in this luch, sweeping, and richly detailed saga. Told in Cleopatra's own voice, this is a mesmerizing tale of ambition, passion, and betrayl, which begins when the twenty-year-old queen seeks out the most powerful man in the world, Julius Caesar, and does not end until, having survived the assassination of Caesar! and the defeat of the second man she loves, Marc Antony, she ! plots he r own death rather than be paraded in triumph through the streets of Rome.

Most of all, in its richness and authenticity, it is an irresistible story that reveals why Margaret George's work has been widely acclaimed as "the best kind of historical novel, one the reader can't wait to get lost in." (San Francisco Chronicle).

The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.

Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.

Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ! ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however, to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and--after his murder--three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.

Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. ! In a masterly return to the classical sources, Stacy Schiff he! re boldl y separates fact from fiction to rescue the magnetic queen whose death ushered in a new world order. Rich in detail, epic in scope, Schiff 's is a luminous, deeply original reconstruction of a dazzling life.The Pulitzer Prize-winning biographer brings to life the most intriguing woman in the history of the world: Cleopatra, the last queen of Egypt.

Her palace shimmered with onyx, garnets, and gold, but was richer still in political and sexual intrigue. Above all else, Cleopatra was a shrewd strategist and an ingenious negotiator.

Though her life spanned fewer than forty years, it reshaped the contours of the ancient world. She was married twice, each time to a brother. She waged a brutal civil war against the first when both were teenagers. She poisoned the second. Ultimately she dispensed with an ambitious sister as well; incest and assassination were family specialties. Cleopatra appears to have had sex with only two men. They happen, however! , to have been Julius Caesar and Mark Antony, among the most prominent Romans of the day. Both were married to other women. Cleopatra had a child with Caesar and--after his murder--three more with his protégé. Already she was the wealthiest ruler in the Mediterranean; the relationship with Antony confirmed her status as the most influential woman of the age. The two would together attempt to forge a new empire, in an alliance that spelled their ends. Cleopatra has lodged herself in our imaginations ever since.

Famous long before she was notorious, Cleopatra has gone down in history for all the wrong reasons. Shakespeare and Shaw put words in her mouth. Michelangelo, Tiepolo, and Elizabeth Taylor put a face to her name. Along the way, Cleopatra's supple personality and the drama of her circumstances have been lost. In a masterly return to the classical sources, Stacy Schiff here boldly separates fact from fiction to rescue the magnetic queen whose death ushered in a! new world order. Rich in detail, epic in scope, Schiff 's is ! a lumino us, deeply original reconstruction of a dazzling life.Richard Burton, Rex Harrison and Elizabeth Taylor star in one of the greatest screen spectacles ever made - the story of the Queen of the Nile and her love affairs with Julius Caesar and Mark Antony. The film is distinguished by superb performances from Burton and Harrison (nominated for an Oscar), but at its center is Elizabeth Taylor in one of the most glamorous roles of her career. Astounding in scope and grandeur, the picture won Oscars for cinematography, sets and special effects. It's famous moments include moviedom's most flamboyant entrance - Cleopatra's dazzling arrival in Rome. Bolstered by a talented supporting cast and utterly stunning backdrops, here is a truly epic portrayal of the woman who conquered two of Rome's greatest soldiers, affected the course of history, and became synonymous with beguiling beauty - Cleopatra.This 1963 extravaganza, directed by Joseph L. Mankiewicz, is certainly an epic historica! l drama with all the elements: elaborate sets, intricate costuming, name actors, a factual basis, and an overlong script (just over four hours). But the acting is well performed and the backdrops are lush, making this a film worth seeing. Elizabeth Taylor is Cleopatra, the Egyptian queen who seduces Julius Caesar (Rex Harrison) in a political move to hold onto her empire. When Caesar is killed in the Roman Senate, Cleopatra looks to Marc Antony (Richard Burton) for his support, practically enslaving him with her wiles. Taylor is dramatic in her role, at times overly serious, but stunning nonetheless as the woman described as "well versed in the natural sciences and mathematics. She speaks seven languages proficiently. Were she not a woman one would consider her to be an intellectual." While the film does seem to drag at moments, it deserves the four Oscars it won for cinematography, art direction-set direction, costumes, and special effects. Don't confuse this Cleopatra with the 1934 version directed by Cecil B. DeMille and sta! rring Cl audette Colbert. --Jenny BrownThis anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.The marriage of Marc Antony and Cleopatra is one of the greatest love stories of all time, a tale of unbridled passion with earth-shaking political consequences. Feared and hunted by the powers in Rome, the lovers choose to die by their own hands as the triumphant armies of Antony’s revengeful rival, Octavian, sweep into Egypt. Their three orphaned children are taken in chains to ! Rome; only twoâ€" the ten-year-old twins Selene and Alexanderâ€"survive the journey. Delivered to the household of Octavian’s sister, the siblings cling to each other and to the hope that they will return one day to their rightful place on the throne of Egypt. As they come of age, they are buffeted by the personal ambitions of Octavian’s family and court, by the ever-present threat of slave rebellion, and by the longings and desires deep within their own hearts.

The fateful tale of Selene and Alexander is brought brilliantly to life in Cleopatra’s Daughter. Recounted in Selene’s youthful and engaging voice, it introduces a compelling cast of historical characters: Octavia, the emperor Octavian’s kind and compassionate sister, abandoned by Marc Antony for Cleopatra; Livia, Octavian's bitter and jealous wife; Marcellus, Octavian’s handsome, flirtatious nephew and heir apparent; Tiberius, Livia’s sardonic son and Marcellus’s great rival for power! ; and Juba, Octavian’s watchful aide, whose honored position! at cour t has far-reaching effects on the lives of the young Egyptian royals.

Selene’s narrative is animated by the concerns of a young girl in any time and placeâ€"the possibility of finding love, the pull of friendship and family, and the pursuit of her unique interests and talents. While coping with the loss of both her family and her ancestral kingdom, Selene must find a path around the dangers of a foreign land. Her accounts of life in Rome are filled with historical details that vividly capture both the glories and horrors of the times. She dines with the empire’s most illustrious poets and politicians, witnesses the creation of the Pantheon, and navigates the colorful, crowded marketplaces of the city where Roman-style justice is meted out with merciless authority.

Based on meticulous research, Cleopatra’s Daughter is a fascinating portrait of imperial Rome and of the people and events of this glorious and most tumultuous period in human history. ! Emerging from the shadows of the past, Selene, a young woman of irresistible charm and preternatural intelligence, will capture your heart.


From the Hardcover edition.

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Centurion

• AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbender), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus (West) legendary Nin

Set in ancient Egypt under Roman rule, AGORA follows the brilliant and beautiful astronomer Hypatia (Weisz) who leads a group of disciples fighting to save the wisdom of the Ancient World, as violent religious upheaval spills into the streets of Alexandria. Among these disciples are two men competing for her heart: the witty, privileged Orestes (Isaac) and Davus (Minghella), Hypatia’s young slave, who is torn between his secret love for her and the freedom he knows can be his if he chooses to join! the unstoppable surge of the Christians.Alternating between cosmic splendor and human squalor, Agora is a movie of unusual ambition. In the last days of the Roman Empire, the Egyptian city of Alexandria is torn between the aristocratic pagan society and the emerging, rough-and-tumble Christians. As this broad cultural conflict teeters violently back and forth, the scientist-philosopher Hypatia (Rachel Weisz, The Brothers Bloom, The Fountain) struggles to resolve the motion of the planets with her belief in celestial perfection. Tangled in her life are three men: a Roman prefect (Oscar Isaac, Body of Lies), a Christian bishop (Rupert Evans, Hellboy), and a slave (Max Minghella, The Social Network) who turns to Christianity to escape his unrequited love for Hypatia. Some viewers will be uncomfortable with Agora's depiction of early Christianity and others will quibble about the movie's historical accuracy, but the movie's them! es--of faith vs. zealotry, of religion vs. the spirituality of! science --and its vivid depiction of one culture being brutally supplanted by another demonstrate a scope seldom found in contemporary film. Writer-director Alejandro Amenábar previously made popular ghost story The Others, mind-bender Open Your Eyes, and heartbreaker The Sea Inside; clearly, this is a career to watch. Don't overlook the deleted scenes--the gorgeous original opening shot accentuates the twin pulls of science and spirituality. --Bret FetzerAn allegory: fourth century Christians as Taliban. Alexandria, 391: Hypatia teaches astronomy, mathematics, and philosophy. Her student Orestes is in love with her as is Davus, her personal slave. As the city's Christians, led by Ammonius and Cyril, gain political power, the great institutions of learning and governance may not survive. Jump ahead 20 years: Orestes, the city's prefect, has an uneasy peace with Christians, led by Cyril. The Christians enforce public morality; first they see the Jews as t! heir obstacle, then women. Hypatia has no interest in faith; she's concerned about the movement of celestial bodies and the brotherhood of all. What place is there for her?AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in the face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbinder), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus' (West) legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorlacon. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines. Enduring the harsh terrain and evading their remorseless Pict pursuers led by the revenge hungry Pict Warrior Etain (Kurylenko), the band o! f soldiers race to rescue their General and to reach the safet! y of the Roman frontier.Centurion isn't just a rousing adventure, but a return to form for The Descent director Neil Marshall after the disappointing Doomsday. Irish actor Michael Fassbender (Inglourious Basterds) plays Quintus Dias, a Roman soldier attempting to defend the Empire against Northern England's indigenous Pict population, when they take him captive. Once General Virilus (The Wire's Dominic West), who inspires fierce devotion in his men, gets wind of the skirmish, he sets out to vanquish opposition leader Gorlacon (Ulrich Thomsen) with the aid of Etain (Quantum of Solace's Olga Kurylenko), a mute tracker. Though his Ninth Legion, which includes Bothos (David Morrissey) and Brick (Liam Cunningham, Fassbender's Hunger costar), tracks down Quintus, the Picts slaughter most other comrades and seize Virilus, shifting the battle for conquest into a struggle for survival, a Marshall specialty since Dog Soldiers. Only Arian! ne (Solitary Man's Imogen Poots), a medicine woman who treats Bothos's wounds, arrives as a light in the darkness, holding out the promise of romance should Quintus make it out of Pict territory alive. Though Centurion isn't a world away from historical epics like Braveheart and Gladiator--and succumbs to some of the same genre clichés--Marshall conjures up more of a Western feel with the Romans standing in for cowboys and the Picts for Indians. There's carnage aplenty, but also stunning Highland vistas in shades of emerald and teal. And though Fassbender is a fine actor, West and Kurylenko end up stealing the show by virtue of their more dynamic performances. --Kathleen C. Fennessy

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Behind the Sun

• ISBN13: 9781439213544
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Golden Globe Award Nominee for Best Foreign Language Film, BEHIND THE SUN is a critically acclaimed story about love, loyalty, and the choice a son must make between honoring his family and following his heart. In the brutal Brazilian badlands of 1910, two families are locked in a bloody, generations-old feud. In one family, the oldest remaining son, distressed by the prospect of death and encouraged by his younger brother -- begins to question the cycle of violence. Then a beautiful young woman crosses his path and opens his eyes to life outside his culture's rigid code of honor. Stunningly photographed and exquisitely told, this outstanding motion picture masterpiece will transport you to a vastly di! fferent place and time ... a place somewhere "behind the sun"!Behind the Sun is a rapturous Western, a big film about a big, unwanted destiny visited upon a vulnerable, young hero. Adapted from the novel Broken April by Albanian writer Ismail Kadare (the story has been transferred from Europe to Brazil's rugged, northeastern badlands in 1910), Behind the Sun concerns two families and their long-running land war, which has robbed many a young man of his hope, love and, ultimately, life. Sent by his aggrieved father to avenge the slaying of an older brother, Tonho (Rodrigo Santoro), in torment, carries out his bloody, ancestral obligation and then proposes a truce between the families. Director Walter Salles (Central Station) aims to make a magnificently crafted, lush, and exotic epic told in broad strokes for art house aficionados, and he succeeds almost to a self-conscious fault. Still, there is nothing like a stirring, archetypal tragedy about! the endless repercussions of violence and the sacrifice of in! nocence to a dubious cause. --Tom KeoghDVD-Behind The Sun by Open Doors FilmsNew set from dance/house artist. Includes the smash hits 'D on't Give Up' & 'Saltwater' plus a previously unreleased ambient mix of 'Saltwater' by The Thrillseekers. 2000 release. Standard jewel case.For some, outfits like producer Nick Bracegirdle's Chicane are not easy to swallow. Isolating the more jubilant properties of trance, the beat is a light bounce, levitating above club-dance brainlessness, sounding like a house music hybrid meant for sparkling sunshine instead of dark and sweaty warehouses. They exist in an idealized, pseudo-enlightened fairy tale filled with bright colors and youthful beauty. But that's not the problem. What rankles purists and picky fans is the audacity with which these "techno" artists go after the unconverted common folk, dragging electronic music out of its druggy, "in-crowd" pretensions. Bracegirdle and contemporaries like Olive, Sneaker Pimps, and BT (the last, mos! t noticeably on his Movement in Still Life) are waging a turf war on the boundaries between techno and pop music, each using different tactics and borrowing from different sources. Chicane throws out an especially cutting salvo in the battle here, and it's a doozy. None other than Bryan Adams lends his raspy tenor to the subtle grooves and euphoric dreaminess of "Don't Give Up." It's one thing for Liam Gallagher to lend his pipes to a Chemical Brothers track, or for BT to tap Tori Amos for the ubiquitous club hit "Blue Skies," but Bryan Adams? Is this heresy? Or an ingenious use of vocal color that yields an incredibly hummable dance anthem? Maybe it's best not to analyze What It All Means. Just sit back and enjoy the summery grooves, trusting these ongoing musical inspirations to become whatever they need to be. --Matthew Cooke Behind the Sun by Sue Nielsen follows Sally Burns and a team of elite experts when they are assigned to travel to a newly dis! covered planet on the opposite side of the Sun, one almost ide! ntical t o Earth in mass, orbit, and size. What they encounter challenges their beliefs about Earth history, its development, and the nature of reality itself. Facing sabotage, violence, and events and creatures of mythological scope, Sally and the team are unprepared for the shattering revelations they encounter. In the end, Sally and the others find that there is a greater fate waiting for them, one more profound than Sally, or anyone, could have ever imagined. Written in masterful prose and told in the best traditions of the sci-fi action genre, Behind the Sun builds on mythological and religious traditions, science, and pure imagination to create a world like no other. Populated with compelling characters and thrilling plot lines, Sue Nielsen has written a book that will grab you by the collar and not let go.

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Grace Is Gone

• Though 2007 saw a flood of Iraq-related films, GRACE IS GONE takes a different approach from many of the others. Unlike REDACTED and LIONS FOR LAMBS, this directorial debut from screenwriter James C. Strouse (LONESOME JIM) doesn't focus on the conflict itself. Instead, the drama looks at how the death of a female soldier affects her family at home. John Cusack (1408) is Stanley Phillips, a hus

In one of his most acclaimed performances, John Cusack makes an astonishing transformation as Stanley Philips, a sad, disconnected man unable to tell his young daughters their mother, a soldier, has died in Iraq. Instead, he takes the girls on a road trip, where their innocent charm helps him rediscover a healing joy he thought he'd lost forever.Unlike previous Iraq War films, the poignant directorial debut from writer James C. Strouse (Lonesome Jim) uses the conflict as starting point rather th! an subject. Early in the proceedings, Stanley (John Cusack) finds out his wife has been killed in the line of duty. The bespectacled disciplinarian decides not to tell his daughters right away. In his younger days, Stanley tried to serve his country, but poor eyesight dashed that dream, and now he's a superstore manager. The sort of middle-American conservative rarely seen at the art house, Stanley believes in his president. That doesn't alleviate his pain. Putting on a brave face, he asks his oblivious girls for their greatest wish. Eight-year-old Dawn (Gracie Bednarczyk) exclaims, "Enchanted Gardens!" With that, they hop in their SUV and drive from Minnesota to the Florida theme park. Twelve-year-old Heidi (Shélan O'Keefe) knows something is wrong--her dad isn't the spontaneous type--but she doesn't know what it is. En route, they visit Stanley's brother, John (Alessandro Nivola), who offers some insight into their bottled-up father. By the end of the trip, Stanley figur! es out how to break the news, in the process becoming a real p! arent. A fter winning the Audience Award at Sundance, Clint Eastwood, Cusack's Midnight in the Garden of Good and Evil director, gave the soundtrack a jazz-oriented overhaul. In tone, it's almost too refined for the blue-collar world Strouse depicts, but never distracting. More importantly, Grace Is Gone features Cusack’s finest performance to date. --Kathleen C. Fennessy

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Shimmer Turtleneck Top - FROSTED ALMOND (P/S)

• 92% nylon, 8% spandex.
• Hand wash.
• Made in USA.
• SKU 190073
• Style S0CR21019600
• Model is 5'9" and is wearing a US size S.

Give your low key, cold-weather looks a glam pop with this bebe turtleneck top features shimmering metallic accents and light, stretch. Center back to hem: 24".

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