Smiling Fish & Goat on Fire - Movie Poster 28"x41"

• Smiling Fish & Goat on Fire
• Movie
• Poster
• Measures 28"X41"

SMILING FISH & GOAT ON FIRE Director Kevin Jordan Movie Poster. (820) Measures 28"X41"

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Ghoulies 2 - Movie Poster - 11 x 17

• Add this spectacular poster to your collection today!
• This poster measures approx. 11 x 17.
• Brand new and expertly rolled and shipped.
• This poster is from Ghoulies 2 (1987)

GHOULIES GHOULIES 2

Inside Campfire Tales you'll find 17 original and classic tales bursting at the seams with ghosts, graveyards, and things that go bump in the night

27x41 Folded Original Movie Poster Unused Condition As Shipped From Studio DistributerMovieGoods has Amazon's largest selection of movie and TV show memorabilia, including posters, film cells and more: tens of thousands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Samsung Standard Car Power Charger [CAD300UBEB/STD]

• Compact and lightweight -fits in your cigarette lighter socket. Charge and talk at the same time
• Quickly and reliably charge your cell phone while you are on the go
• Fits perfectly into any 12V accessory outlet or car lighter jack.
• Dynamic IC Chip - built-in smart chip recognizes a full charge and automatically switch to a save-mode. This will protect your battery from over charging and preserve your battery's life span.

Dramatization of the turbulent life of Bob Crane, popular for his role in the television program Hogan's heroes.
Genre: Feature Film-Drama
Rating: R
Release Date: 3-JUL-2007
Media Type: DVDAuto Focus captures the scandalous private life of Bob Crane, star of the German P.O.W. camp sitcom Hogan's Heroes. Greg Kinnear plays the affable comic actor, who nursed an obsession with sex--pornography, stri! ppers, swinging, domination, and especially the videotaping of his own sexual exploits. His behavior led to the downfall of two marriages and enmeshed Crane in a strangely symbiotic relationship with a video equipment salesman named John Carpenter (Willem Dafoe); Carpenter provided the technology, and Crane (through the power of his fame) provided the girls. Their friendship ultimately wore thin and may have led to Crane's gruesome death. Auto Focus is a lot like an episode of Behind the Music, but with sex in the place of the usual downfall-causing drugs; though elegantly filmed, it doesn't delve too deeply into Crane's joy, and so never gets a genuine feel for his pain either. --Bret FetzerSamsung CAD300UBEB/STD Standard Car Power Charger Samsung standard car power charger gives you the charging performance needed while traveling in your vehicle. For easy recharging of your cell phone just plug the car charger into the power socket of your v! ehicle and it will begin instantly replenishing your mobile ph! one's ba ttery. Samsung car charger adapters ensure that your phone is always charged and ready to make an important call. The Samsung standard car charger is designed to optimize performance, portability, and storage capabilities. This car power charger has a 1-year manufacturing warranty and is compatible with Samsung devices. Here is a list of compatible devices: Acclaim SCH-R880 Ace II SPH-I350 BeHold II SGH-T939 Caliber SCH-R850 Captivate SGH-I897 Code SCH-I220 Continuum SCH-I400 Contour SCH-R250 Craft SCH-R900 Crunch Epic 4G SPH-D700 Eternity 2 SGH-A597 Evergreen Exclaim SPH-M550 Fascinate SCH-I500 Flight Flight II SGH-A927 Focus SGH-I917 Freeform II SCH-R360 Freeform SCH-R350 GT-B3410 GT-i9020T NEXUS S Galaxy Indulge SCH-R910 Galaxy S 4G SGH-T959V Gravity 3 SGH-T479 Gravity Touch SGH-T669 Gusto SCH-U360 Houdini SGH-T939 Instinct HD SPH-M850 Instinct Q Intensity II SCH-U460 Intercept SPH-M910 Intrepid SPH-I350 Ace II Mesmorize SCH-I500 Messager II SCH-R560 Messager III SCH-R570! Messager Touch SCH-R630 Moment Mythic NEXUS S GT-i9020T Omnia II SCH-I920 Profile SCH-R580 Reality SCH-U820 Reclaim SPH-M560 SCH-I200 SCH-I220 Code SCH-I400 Continuum SCH-I500 Fascinate SCH-I500 Mesmorize SCH-I920 Omnia II SCH-R100 SCH-R250 Contour SCH-R260 SCH-R330 Stride SCH-R350 Freeform SCH-R360 Freeform II SCH-R380 SCH-R460 MyShot II SCH-R470 TwoStep SCH-R560 Messager II SCH-R570 Messager III SCH-R580 Profile SCH-R630 Messager Touch SCH-R631 SCH-R710 Suede SCH-R850 Caliber SCH-R880 Acclaim SCH-R900 Craft SCH-R910 Galaxy Indulge SCH-U320 SCH-U360 Gusto SCH-U460 Intensity II SCH-U820 Reality SCH-i100 SCH-i225 Exec SGH-A187 SGH-A197 SGH-A597 Eternity 2 SGH-A667 SGH-A687 SGH

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Purple TPU Flexible Case For Apple Iphone 4 4G

• Lightweight, slimfit soft case that is tear resistant.
• Molded to twist and bend but not stretch out of shape.
• Protects your Iphone 4 from scratches, bumps, and dings.
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• Eliminates antenna problem with iPhone 4

Jayne (Parker Posey) and Laura (Demi Moore) are about to take on the first man they just might not be able to handle: their father Joe (Rip Torn). Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives. Laura suspects that Joe needs full-time care, but Jayne refuses to believe that their father’s condition is serious. Jayne’s compulsion to escape reality only increases Laura’s attempts to yank her back down to earth. Meanwhile, Joe still sings and plays the blues on his prized gui! tar, and the lively widower even has a new “ladyfriend,” shameless and sassy Shelly (Ellen Barkin). Tensions flare as Joe’s senility increases and the close sisters must also juggle their own very different lives â€" but their adventures back home are not without merriment, mischief and even a little childhood magic.Parker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Black, The Larry Sanders Show), and who is managing--just barely--not to resent Jayne for the difference in their lives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Bark! in, Ocean's Thirteen, Sea of Love), so Jayne com! es back home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)

	!

The true story of a hawaiian princess attempts to maintain the independence of the island against the threat of american colonization. Studio: Lions Gate Home Ent. Release Date: 09/14/2010 Run time: 97 minutes Rating: PgPrincess Kaiulani is a moving film that's part romantic epic, part historical period piece. But mostly it's a portrait of how a frightened young girl grew into an extraordinary woman. The film begins in 1889, wh! en civil unrest unseated Hawaii's royal family and the Hawaiia! n people began a struggle to maintain their independence and right of self-governance, and when the 13-year-old princess Ka'iulani (Q'orianka Kilcher), who was next in line for the Hawaiian throne, was exiled to England to ensure her safety. Shot on location in both England and Hawaii by indie director Marc Forby, this breathtakingly beautiful film follows Ka'iulani as she is plopped down in a foreign world that looks upon Hawaiians as barbarians and where her royal heritage counts for virtually nothing. Princess Ka'iulani, or "Victoria," as the English often call her, endures harsh treatment at the hands of both teachers and students at boarding school, but she refuses to crumble, carrying on with a strength and quiet resolve that's powerfully portrayed by Kilcher. As Ka'iulani matures, she falls in love with Englishman Clive Davies (Shaun Evans) and becomes engaged. Just as Ka'iulani's happiness seems assured, her father visits her in England, bringing with him serious news: her u! ncle, King Kalakaua (Ocean Kaowili), has died unexpectedly after having been forced to adopt a constitution in conflict with the best interests of the Hawaiian people, and Ka'iulani's aunt Liliu'okalani (Leo Anderson Akana), who ascended to the throne, has subsequently been put under house arrest and removed from power. Incensed by the grave injustices inflicted upon her people, Princess Ka'iulani is propelled by her inherent sense of duty to sacrifice her own potential happiness. She journeys first to America, where she eloquently pleads with outgoing president Grover Cleveland for his help, and later to Hawaii, where she fights for her people's rights in person. Princess Kaiulani is a powerful film, and what comes across so strongly is not just the often-overlooked perspective of the native Hawaiian people regarding America's annexation of Hawaii and the cultural consequences of that annexation, but the truly heroic acts of Hawaii's extraordinary Princess Ka'iulani! . --Tami HoriuchiGermany released, Blu-Ray/Region B : i! t WILL N OT play on regular DVD player, or on standard US Blu-Ray player. You need multi-region Blu-Ray player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 5.1 ), German ( Dolby Digital 5.1 ), German ( Subtitles ), WIDESCREEN (1.78:1), SPECIAL FEATURES: Biographies, Filmographies, Interactive Menu, Photo Gallery, Scene Access, Trailer(s), SYNOPSIS: Jayne and Laura are about to take on the first man they just might not be able to handle: their seventy-something-year-old father Joe. Dutiful daughters returning to the house they grew up in, Jayne and Laura are forced to take a closer look at their own not-so-perfect lives while dodging childhood memories. Laura suspects that Joe needs full-time care, but Jayne hopes that their father's condition isn't that serious. Joe is still singing and playing his old guitar, and the lively widower even has a new 'ladyfriend,' shameless and sassy Shelly. But as the visible moments of their father's impending senility increase, so do ! the dysfunctional family dynamics. Tensions flare as the close sisters must also juggle their own very different lives - Laura's busy schedule as an environmentalist and mother of two small children, and Jayne, desperate to finally have a baby with her workaholic art-dealing husband Jackson. Their adventures back home are not without magic, mischief and mayhem, and even a search for buried treasure in the backyard! Any tears that Jayne and Laura might shed will be happy ones. SCREENED/AWARDED AT: Berlin International Film Festival, ...Happy TearsParker Posey and Demi Moore prove inspired casting as troubled sisters in Happy Tears. Posey (all quirks and neuroses) plays Jayne, the sister who married the wealthy but unstable son of a famous artist and is now enveloped in a bubble of money; Moore (half woman warrior, half earth mother) plays Laura, the sister who isn't rich and who has ended up taking care of their increasingly erratic father, Joe (Rip Torn, Men in Bl! ack, The Larry Sanders Show), and who is managing--! just bar ely--not to resent Jayne for the difference in their lives. But Joe is slipping into dementia and giving away money to a needy addict named Shelly (Ellen Barkin, Ocean's Thirteen, Sea of Love), so Jayne comes back home to decide with Laura what to do. Happy Tears is a peculiar yet vivid movie; the naturalistic surface of its domestic drama is punctured with odd moments of surrealism, such as when Jayne hallucinates that a boot salesman has turned into a vulture. The plot wanders, the characters are explored unevenly, yet moment to moment Happy Tears holds you by virtue of a surprising honesty. Jayne, Laura, Joe, and Shelly feel--despite a bit of hamminess in the performances--like real people, with jagged edges that can't be ignored or explained away. --Bret Fetzer

Stills from Happy Tears (Click for larger image)
Studio: Kino International Release Date: 10/19/2004STORY OF THE WEEPING CAMEL - DVD MovieThis breathtaking blend of documentary and fiction filmmaking provides an unobtrusive glimpse into the relationships, ritua! ls, and livelihood of a four-generation family of nomadic she! pherds i n the Gobi desert of South Mongolia. It is birthing season for the family’s herd of camels and after several healthy foals are born, the last birth is difficult. With quiet perseverance, the family helps to deliver a rare white colt, which the mother camel quickly rejects and refuses to nurse. With growing concern for the colt’s survival, the family decides to employ a nomadic singing ritual to coax the mother into nurturing her young. They send the two eldest sons on a journey to the nearest village to fetch a musician for the "hoos ritual." The story unfolds gently, sensitive to the rhythms of desert life while honoring its real-life actors. This modest yet magnificent film is the graduation project of film students Byambasuren Davaa and Luigi Falorni, extending beyond the tale of a camel and colt to explore the fragility and beauty of an ancient way of life. Rated PG for some mild thematic content. (Ages 8 and older) --Lynn GibsonThe domestic disci! plinary adventures of a family consisting of the beautiful widowed Eleanor Stanfield, her teenage daughter, Arthur Hadley, a handsome widower, and his spoiled, haughty offspring. When Eleanor and Arthur marry, the domineering stepmother sets out for the ultimate training of both girls, enhancing the blissful relationship between the newlyweds. A psychological study of both the erotic and disciplinary effects of corporal punishment. Illustrated.Give your Apple Iphone 4 maximum protection with this TPU case. What is TPU? It a smooth surface material with a shiny finish that is bendable and protects against shock such as in a case of a drop. It is extremely durable and effective against everything from scratches to drops. It contains both the benefits of a hard case (shiny smooth surface), and soft case (elastic & protect against shock). Don't go with yucky silicon cover, get the next generation maximum protection yet elegant TPU case.

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Deep In The Valley (Unrated)

• DEEP IN THE VALLEY UNRATED (DVD MOVIE)

"Hypnotic andihaunting." -Peter Travers Rolling StoneHarlan (Norton) is a charismatic cowboy stuck in suburban San Fernando Valley who by a twist of fate rides into the life of a rebellious young girl Tobe (Wood). Their chance encounter explodes into a passionate romance-despite evidence that a more sinister truth might be lurking beneath his country charm.Wanting to protect his teenage daughter and young son from the man that is clearly not who he is Tobe's father prohibits the lovers to ever see each other again. More alienated than ever down in the valley Harlan gallops full speed into a breakdown resulting in a desperate attempt to hold onto whatever or whomever he can.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 821575548755 UPC: 821575548755 Manufacturer No: TF-54875Down in the Valley falls short of the greatness it's strivi! ng for, but it's a fascinating film that's easily recommended. Serving as both star and co-producer, Edward Norton seized upon writer-director David Jacobsen's neo-western screenplay as an opportunity to play the kind of daring and challenging role that Hollywood rarely offers. Norton's considerable talent is fully engaged as he portrays Harlan Carruthers, a cowboy anachronism in California's San Fernando Valley, where his Stetson hat, old-fashioned manners, and wild-west romanticism provide an escape from his dreary life of dead-end jobs and fleabag motels. We can't tell if he's really a former ranch-hand from South Dakota or a delusional psychopath, and that turns Down in the Valley into a suburban variation of Taxi Driver, with the threat of danger increasing as Harlan is befriended by Tobe (Evan Rachel Wood), a bored teenager who seduces Harlan for the sake of romantic adventure. Tension and suspense escalate even further as Harlan tangles with Tobe's susp! icious and belligerently protective father (David Morse) and l! onely 13 -year-old brother (Rory Culkin), but Jacobsen's intriguing film grows problematic when it veers into mythic western territory. Struggling for present-day resonance with themes of rugged individualism and frontier manhood in an era when those qualities are virtually extinct, Down in the Valley reaches a climax that feels forced and unconvincing, but fine performances (especially by Norton) and Jacobsen's bold, risk-taking direction make this a film worth seeing.--Jeff ShannonDown in the Valley falls short of the greatness it's striving for, but it's a fascinating film that's easily recommended. Serving as both star and co-producer, Edward Norton seized upon writer-director David Jacobsen's neo-western screenplay as an opportunity to play the kind of daring and challenging role that Hollywood rarely offers. Norton's considerable talent is fully engaged as he portrays Harlan Carruthers, a cowboy anachronism in California's San Fernando Valley, where his Ste! tson hat, old-fashioned manners, and wild-west romanticism provide an escape from his dreary life of dead-end jobs and fleabag motels. We can't tell if he's really a former ranch-hand from South Dakota or a delusional psychopath, and that turns Down in the Valley into a suburban variation of Taxi Driver, with the threat of danger increasing as Harlan is befriended by Tobe (Evan Rachel Wood), a bored teenager who seduces Harlan for the sake of romantic adventure. Tension and suspense escalate even further as Harlan tangles with Tobe's suspicious and belligerently protective father (David Morse) and lonely 13-year-old brother (Rory Culkin), but Jacobsen's intriguing film grows problematic when it veers into mythic western territory. Struggling for present-day resonance with themes of rugged individualism and frontier manhood in an era when those qualities are virtually extinct, Down in the Valley reaches a climax that feels forced and unconvincing, but fi! ne performances (especially by Norton) and Jacobsen's bold, ri! sk-takin g direction make this a film worth seeing.--Jeff ShannonCreate a whimsical town to call your own with these fresh, fun designs as your building blocks! These mix-and-match house and building patterns include country cabins and quaint churches, plus a school, town hall, barn, and cozy cottage. A delightful medley of 16 step-by-step projects with easy paper-piecing. Each chapter features a different theme-Main Street, Prairieland, Mountain Folk, and Cabin Country. Create scenes in wall quits, table runners, place mats and pillows.DEEP IN THE VALLEY - DVD Movie

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Angels & Demons [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

In Ron Howard's thrilling follow-up to The Da Vinci Code, expert symbologist Robert Langdon (Tom Hanks) follows ancient clues on a heart-racing hunt through Rome to find the four Cardinals kidnapped by the deadly secret society, the Illuminati. With the Cardinals' lives on the line, and the Camerlengo (Ewan McGregor) desperate for help, Langdon embarks on a nonstop, action-packed race through sealed crypts, dangerous catacombs, and the most secretive vault on Earth!If the devil is in the details, there's a lot of wicked fun in Angels & Demons, the sequel (originally a prequel) to The Da Vinci Code. Director Ron Howard delivers edge-of-your-pew thrills all over the Vatican, the City of Rome, and the deepest, dankest catacombs. Tom Hanks is dependably watchable in his repris! ed role as Professor Robert Langdon, summoned urgently to Rome on a matter of utmost urgency--which happens to coincide with the death of the Pope, meaning the Vatican is teeming with cardinals and Rome is teeming with the faithful. A religious offshoot group, calling themselves the Illuminati, which protested the Catholic Church's prosecution of scientists 400 years ago, has resurfaced and is making extreme, and gruesome, terrorist demands. The film zooms around the city, as Langdon follows clues embedded in art, architecture, and the very bone structure of the Vatican. The cast is terrific, including Ewan McGregor, who is memorable as a young protégé of the late pontiff, and who seems to challenge the common wisdom of the Conclave just by being 40 years younger than his fellows when he lectures for church reform. Stellan Skarsgard is excellent as a gruff commander of the Swiss Guard, who may or may not have thrown in with the Illuminati. But the real star of the film is! Rome, and its High Church gorgeousness, with lush cinematogra! phy by S alvatore Totino, who renders the real sky above the Vatican, in a cataclysmic event, with the detail and majesty of the ceiling of the Sistine Chapel. --A.T. Hurley

Stills from Angels & Demons (click for larger image)

Heaven and hell are vying for human souls in vortices between humanity and the afterlife. When Lucifer and his demons overwhelm Archangel Michael and Gabriel, heaven is faced with the possibility of losing all souls on the planet.

Reincarnated in heaven, Michael must fight his way back to Earth to stop more demons from swarming the planet and help his brother Gabriel track down the devil before he tricks humanity into harvesting billions of souls into his fiery kingdom.

---------

"Angels and Demons: Perspectives of a Violent Afterlife" is an 11,250 word (approx. 50 pages in print) collection of short sto! ries.

PRODUCT WARNING: This work describes an alter! nate rea lity where God and the Devil have agreed to an afterlife that is based solely on how the person died. So, life and death aren't fair. It also contains strong language, violence, charred wings, and a naked angel running around Oslo. Sorry about that.Heaven and hell are vying for human souls in vortices between humanity and the afterlife. When Lucifer and his demons overwhelm Archangel Michael and Gabriel, heaven is faced with the possibility of losing all souls on the planet.

Reincarnated in heaven, Michael must fight his way back to Earth to stop more demons from swarming the planet and help his brother Gabriel track down the devil before he tricks humanity into harvesting billions of souls into his fiery kingdom.

---------

"Angels and Demons: Perspectives of a Violent Afterlife" is an 11,250 word (approx. 50 pages in print) collection of short stories.

PRODUCT WARNING: This work describes an alternate reality where God and the Devil have agreed t! o an afterlife that is based solely on how the person died. So, life and death aren't fair. It also contains strong language, violence, charred wings, and a naked angel running around Oslo. Sorry about that.In Ron Howard's thrilling follow-up to The Da Vinci Code, expert symbologist Robert Langdon (Tom Hanks) follows ancient clues on a heart-racing hunt through Rome to find the four Cardinals kidnapped by the deadly secret society, the Illuminati. With the Cardinals' lives on the line, and the Camerlengo (Ewan McGregor) desperate for help, Langdon embarks on a nonstop, action-packed race through sealed crypts, dangerous catacombs, and the most secretive vault on Earth!If the devil is in the details, there's a lot of wicked fun in Angels & Demons, the sequel (originally a prequel) to The Da Vinci Code. Director Ron Howard delivers edge-of-your-pew thrills all over the Vatican, the City of Rome, and the deepest, dankest catacombs. Tom Hanks is dependa! bly watchable in his reprised role as Professor Robert Langdon! , summon ed urgently to Rome on a matter of utmost urgency--which happens to coincide with the death of the Pope, meaning the Vatican is teeming with cardinals and Rome is teeming with the faithful. A religious offshoot group, calling themselves the Illuminati, which protested the Catholic Church's prosecution of scientists 400 years ago, has resurfaced and is making extreme, and gruesome, terrorist demands. The film zooms around the city, as Langdon follows clues embedded in art, architecture, and the very bone structure of the Vatican. The cast is terrific, including Ewan McGregor, who is memorable as a young protégé of the late pontiff, and who seems to challenge the common wisdom of the Conclave just by being 40 years younger than his fellows when he lectures for church reform. Stellan Skarsgard is excellent as a gruff commander of the Swiss Guard, who may or may not have thrown in with the Illuminati. But the real star of the film is Rome, and its High Church gorgeousness, wit! h lush cinematography by Salvatore Totino, who renders the real sky above the Vatican, in a cataclysmic event, with the detail and majesty of the ceiling of the Sistine Chapel. --A.T. Hurley

Stills from Angels & Demons (click for larger image)

!

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Exporting Raymond - Movie Poster - 11 x 17 Inch (28cm x 44cm)

• This poster may have a border as the image contained may not be 11 x 17 inches.
• This poster measures approx. 11 x 17 inches from corner to corner.
• Rolled and shipped in a sturdy tube.
• This poster is from Exporting Raymond (2010)

Phil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-of-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, ! Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond completed its run, and in the wake of a successful Russian version of The Nanny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs i! nto humorless network executives, a glammed-up costume designe! r who be lieves the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert HortonPhil Rosenthal created one of the most successful sitcoms of all-time, Everybody Loves Raymond. He was a bona-fide expert in his craft. And then…. the Russians called. In the hilarious Exporting Raymond, a genuine fish-out-o! f-water comedy that could only exist in real life, Phil travels to Russia to help adapt his beloved sitcom for Russian television. The Russians don’t share his tastes. They don’t share his sense of humor. But what Phil did discover was a real comedy, filled with unique characters and situations that have to be seen to be believed. An audience award winner at multiple film festivals across the country, Exporting Raymond proves that even if you’ve never seen Everybody Loves Raymond, you’ll still enjoy this wildly entertaining film. Producer-writer-director Phil Rosenthal had an inspired idea when he was invited to adapt his long-running sitcom Everybody Loves Raymond for the Russian market: take a camera crew along. Those are good comic instincts, and the resulting documentary, Exporting Raymond, is a regularly hilarious portrait of culture shock and the universal (or not) properties of the TV sitcom. After the U.S. Raymond complete! d its run, and in the wake of a successful Russian version of ! The N anny, it seemed natural enough for Rosenthal to journey to Moscow (and a suspiciously dark, foreboding film studio) to oversee the newly discovered business of the Russian sitcom. Since the team is working from the original Raymond scripts, and that show was a huge hit, it should be no problem, right? Soon enough, Rosenthal runs into humorless network executives, a glammed-up costume designer who believes the working-class characters should be dressed in chic outfits, and unmarried writers who can't understand why the show's put-upon hero wouldn't simply assert himself in his marriage. Still, everybody sincerely wants to make Everybody Loves Costya, and the process of casting and rewriting is hugely entertaining to watch. Rosenthal himself proves a dab hand with a deadpan one-liner, and he's got a good eye for the poignant detail (such as his Russian chauffeur, who once dreamed of studying marine biology but was derailed into the military at an early age). ! Rosenthal's trump card is pure Americana: a couple of appearances by his own parents, who are still figuring out the Internet. Now that's comedy gold. --Robert Horton

The Crude Truth: Do you want to know why you're paying so much at the pump these days? Raymond J. Learsy, a longtime commodities trader, explains the real facts behind today's outrageous gasoline prices by lifting the veil from the Mideast oil cartel. He shows how OPEC manipulates the oil markets with results that are destabilizing to the world's economy and threatening to America's national security. With refreshing candor and an insider's perspective, Learsy explains how OPEC: - promotes a bogus perception of oil scarcity in order to hike prices and gain political power. - is compromised by connections to Islamist terrorists, who fuel anti-American hatred with dollars from our own pockets. - keeps Third World populations in crushing poverty, despite rich oil deposits found in their countries. - be! came the de facto master of Iraq's newly liberated oil fields.! Along w ith a sweeping survey of OPEC's methods of economic domination, Over a Barrel offers a well-informed strategy for busting the Mideast oil cartel and charting our nation's course towards energy independence.

Longtime commodities trader Raymond J. Learsy lifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing candor and an insider's perspective, Learsy explains how OPEC:

• twists bogus perceptions of oil scarcity to hike prices and gain political power


• is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets


• keeps Third-World nations in abject poverty despite their rich oil deposits


• and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of economic dominance, this book explains how to bust! the Mideast oil cartel and chart our own course toward energy independence.

Longtime commodities trader Raymond J. Learsy lifts the veil of the Mideast oil cartel, showing how OPEC manipulates the oil markets and destabilizes the world's economy. With refreshing candor and an insider's perspective, Learsy explains how OPEC:

• twists bogus perceptions of oil scarcity to hike prices and gain political power


• is compromised by Islamist terrorist connections that fuel anti-American hatred with dollars from our own wallets


• keeps Third-World nations in abject poverty despite their rich oil deposits


• and became the de facto master of Iraq's newly liberated oil fields

A sharp, sweeping survey of OPEC's methods of economic dominance, this book explains how to bust the Mideast oil cartel and chart our own course toward energy independence.

MovieGoods has Amazon's largest selection of movie and TV show ! memorabilia, including posters, film cells and more: tens of t! housands of items to choose from. We also offer a full selection of framed and laminated posters. Customer satisfaction is always guaranteed when you buy from MovieGoods on Amazon.

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Grand Canyon: The Complete Guide: Grand Canyon National Park

• ISBN13: 9780982517215
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Filled with beautiful color photographs, this award-winning guidebook reveals the best of America's most famous national park. Grand Canyon: The Complete Guide equips travelers with detailed maps, travel tips, and extensive listings for lodging, camping, and sightseeing. From river rafting to mule rides, Grand Canyon is filled with adventures. But without careful planning, a trip there can be overwhelming. This guide divides Grand Canyon into sections--the South Rim, North Rim, Colorado River, and Havasu Canyon--and offers invaluable tips on enjoying the park's highlights while avoiding the crowds. The park's most popular hiking trails are covered in detail, and outfitters for backpacking, ! mule rides, and whitewater rafting are listed. Carefully researched chapters about the park's history, geology, and wildlife take readers behind the scenes, providing fascinating context for one of earth's greatest natural wonders.

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Harry Potter and the Half-Blood Prince (Widescreen Edition)

• Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Together they work to find the key to unlock Voldemort s defenses and, to this end, Dumbledore recruits his

Voldemort is tightening his grip on both the Muggle and wizarding worlds and Hogwarts is no longer the safe haven it once was. Harry suspects that dangers may even lie within the castle, but Dumbledore is more intent upon preparing him for the final battle that he knows is fast approaching. Together they work to find the key to unlock Voldemort’s defenses and, to this end, Dumbledore recruits his old friend and colleague, Professor Horace Slughorn, whom he believes holds crucial information. Even a! s the decisive showdown looms, romance blossoms for Harry, Ron, Hermione and their classmates. Love is in the air, but danger lies ahead and Hogwarts may never be the same. The sixth installment of the Harry Potter series begins right where The Order of the Phoenix left off. The wizarding world is rocked by the news that "He Who Must Not Be Named" has truly returned, and the audience finally knows that Harry is "the Chosen One"--the only wizard who can defeat Lord Voldemort in the end. Dark forces loom around every corner, and now regularly attempt to penetrate the protected walls of Hogwarts School. This is no longer the fun and fascinating world of magic from the first few booksâ€"it's dark, dangerous, and scary.

Harry (Daniel Radcliffe) suspects Draco Malfoy (Tom Felton) to be a new Death Eater recruit on a special mission for the Dark Lord. In the meantime, Professor Dumbledore (Michael Gambon) seems to have finally removed the shroud of secrecy fr! om Harry about the dark path that lies ahead, and instead prov! ides pri vate lessons to get him prepared. It's in these intriguing scenes that the dark past of Tom Riddle (a.k.a. Voldemort) is finally revealed. The actors cast as the different young versions of Riddle (Hero Fiennes-Tiffin and Frank Dillane) do an eerily fantastic job of portraying the villain as a child. While the previous movies' many new characters could be slightly overwhelming, only one new key character is introduced this time: Professor Horace Slughorn (with a spot-on performance by Jim Broadbent). Within his mind he holds a key secret in the battle to defeat the Dark Lord, and Harry is tasked by Dumbledore to uncover a memory about Voldemort's darkest weapon--the Horcrux. Despite the long list of distractions, Harry, Ron (Rupert Grint), and Hermione (Emma Watson) still try to focus on being teenagers, and audiences will enjoy the budding awkward romances. All of the actors have developed nicely, giving their most convincing performances to date.

More dramatic and si! gnificant things go down in this movie than any of its predecessors, and the stakes are higher than ever. The creators have been tasked with a practically impossible challenge, as fans of the beloved J.K. Rowling book series desperately want the movies to capture the magic of the books as closely as possible. Alas, the point at which one accepts that these two mediums are very different is the point at which one can truly enjoy these brilliant adaptations. Harry Potter and the Half-Blood Prince is no exception: it may be the best film yet. For those who have not read the book, nail-biting entertainment is guaranteed. For those who have, the movie does it justice. The key dramatic scenes, including the cave and the shocking twist in the final chapter, are executed very well. It does a perfect job of setting up the two-part grand finale that is to follow. --Jordan Thompson

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Going Shopping

• Holly G. (Victoria Foyt) is a successful clothing designer with her own boutique who, in the course of a tumultuous Mother's Day weekend, is confronted with deceit, elation, desperation, kleptomania, rebellion, addiction and passion while under pressure to pull off the biggest sale of the year. Henry Jaglom's new movie looks at the unique role that clothing and shopping plays in the lives

No Description Available.
Genre: Feature Film-Drama
Rating: PG13
Release Date: 25-SEP-2007
Media Type: DVD

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X6673 Lennox 20x25x5 MERV 10 Filter Media

• HCXF20-10, HCF20-10
• FC35A1027, FC100A1037, FC200E1037, F35Expandapac
• EXPXXFIL0020, EXPXXUNV0020, EXPXXLMC0020, FILCCCAR0020
• 255649-102, 229990-002, 229990-102

Winner of the prestigious Fipresci Award at the 2006 Cannes Film Festival, CLIMATES is internationally acclaimed writer-director Nuri Bilge Ceylan s sublime follow-up to his Cannes multi-award winner DISTANT. Beautifully drawn and meticulously observed, the film vividly recalls the cinema of Italian master Michelangelo Antonioni with its poetic use of landscape and the incisive, exquisitely visual rendering of loneliness, loss and the often-elusive nature of happiness. During a sweltering summer vacation on the Aegean coast, the relationship between middle-aged professor Isa (played by Ceylan himself) and his younger, television producer girlfriend Bahar (the luminous Ebru Ceylan, Ceylan s real-life wife) brutall! y implodes. Back in Istanbul that fall, Isa rekindles a torrid affair with a previous lover. But when he learns that Bahar has left the city for a job in the snowy East, he follows her there to win her back. Boasting subtly powerful performances, heart-stoppingly stunning cinematography (Ceylan s first work in high definition) and densely textured sound design, CLIMATES is the Turkish filmmaker s most gorgeous rumination yet on the fragility and complexity of human relationships.


SPECIAL FEATURES
Stunning new anamorphic transfer, created from hi-def elements The Making of Climates Climates at Cannes Interview: Director/actor Nuri Bilge Ceylan and actor Ebru Ceylan U.S. Theatrical Trailer Optional English subtitles


2006 97 minutes Turkey Color In Turkish with optional English subtitles 1.95:1 theatrical aspect ratio Not RatedBased on Nancy Mitford’s beloved novels The Pursuit of Love and Love in a Cold Climateâ€"part thinly-veiled memoir, part biting satire, and part fa! scinatin g window on a vanished way of lifeâ€"this witty drama from the BBC follows the romantic adventures of three young aristocrats in the decade between the wars.
Starring British acting legends Alan Bates (Gosford Park), Celia Imrie (Bridget Jones’s Diary), Sheila Gish (Mansfield Park), and Anthony Andrews (Brideshead Revisited), with young stars Rosamund Pike (Die Another Day), Elisabeth Dermot-Walsh (Bertie and Elizabeth), and Megan Dodds (Malice Aforethought). Providing an authentic backdrop are several English castles and country houses, including Batsford Park, home of the Mitford family from 1916 to 1919.Love in a Cold Climate, Deborah Moggach's efficient 155-minute adaptation of Nancy Mitford's two best-known novels, hits an entirely appropriate balance between the comic and the sentimentally tragic. Viewpoint figure Fanny (Rosamund Pike) observes from her happy marriage the complicatedly messy lives of her tw! o closest friends, Polly (Megan Dodds) and Linda (Elisabeth Dermot-Walsh). Polly escapes from a mother jealous of her beauty into a marriage that gets her disinherited and leaves her ultimately alone when her husband falls for the pretty male cousin who has supplanted her; Linda falls in turn for an Anglo-German banker, a posh young Communist who ships her off to the Spanish Civil War, and a brilliant doomed French aristocrat. Mingled with this sweet-sour material is the memorable comic relief: Linda's monstrous father and world-weary mother, the eccentric and affectionate Lord Merlin (John Wood) and Fanny's long-absent mother, the Bolter (Frances Barber). This has everything we expect from a BBC serial--excellent casting, a strong sense of period, and fast-paced direction. --Roz KaveneyStudio: New Video Group Release Date: 02/22/2011 Run time: 86 minutesHealthy Climate MERV 10 Media Air Cleaner High-efficiency media filter (MERV 10/CADR 520) Up to 85% efficiency in removing circulated dust and other particles from 3-10 microns Up to 85% efficient in removing mold spores and other bioaerosols from 3-10 microns

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Holy Smokes (Aisling Grey, Guardian, Book 4)

• ISBN13: 9780451222541
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Kate Winslet (TITANIC, SENSE AND SENSIBILITY) and Harvey Keitel (U-571, PULP FICTION) add scintillating performances to a seductive, darkly hilarious motion picture that's met with overwhelming critical acclaim! While on a journey of discovery in exotic India, beautiful young Ruth Barroin (Winslet) falls under the influence of a charismatic religious guru. Her desperate parents then hire PJ Waters (Keitel), a macho cult deprogrammer, who confronts Ruth in a remote desert hideaway. But PJ quickly learns that he's met his match in the sexy, intelligent, and iron-willed Ruth! Another memorable motion picture directed by Academy Award(R)-winner Jane Campion -- you'll feel an undeniable comic charge from th! e sparks that fly as PJ and Ruth face off in an electric battle of the sexes.Aussie director Jane Campion's one of a kind. Forget money and fame; she's inspired by the pleasure of sharing her cinematic dreams with friends and film audiences. Her globetrotting heroines (Angel at My Table, The Piano, Portrait of a Lady) may be willful, crazed, self-absorbed, wrong--but who can resist joining these passionate women on their voyages of self-discovery, whether they lead to safe harbor or dead end?

Holy Smoke opens deliriously in a magical India, saturated with light, color, sensuality. Celebrated by Neil Diamond's anthem, "Holly Holy," Ruth Baron (Kate Winslet, delivering a breathtakingly luminous performance) explores a world that encourages spiritual epiphany--and falls hard for the cartoonish guru who opens her "third eye." Back home in Australia, her hilariously dysfunctional, distinctly down-to-earth family hires hotshot deprogrammer PJ Waters! (Harvey Keitel, his dyed hair and cowboy boots telegraphing d! esperate machismo) to cure Ruth. In an isolated Outback shack, Campion's duo wrestle each other for control of their souls--and bodies, too. This duel's in deadly earnest: Ruth assaults Waters's petrified masculinity; PJ aims to strip this radiant girl of her unexamined faith.

Their wild ride--funny, brutal, erotic--toward brand-new selfhood is punctuated by indelible images: Ruth dancing in a white sari beside an emu corral; naked in the night, Ruth offering her lush body to her tormentor; lost in the desert, cross-dressed in red gown, PJ "saved" by a golden vision of Ruth as a magnificent Indian goddess. For those who love the way movies can sometimes project truth and beauty, Holy Smoke is a feast for the eyes--and for the mind. --Kathleen MurphyNorth Carolina is home to the longest continuous barbecue tradition on the North American mainland. Authoritative, spirited, and opinionated (in the best way), Holy Smoke is a passionate exploration of the lore, r! ecipes, traditions, and people who have helped shape North Carolina's signature slow-food dish.

Three barbecue devotees, John Shelton Reed, Dale Volberg Reed, and William McKinney, trace the origins of North Carolina 'cue and the emergence of the heated rivalry between Eastern and Piedmont styles. They provide detailed instructions for cooking barbecue at home, along with recipes for the traditional array of side dishes that should accompany it. The final section of the book presents some of the people who cook barbecue for a living, recording firsthand what experts say about the past and future of North Carolina barbecue.

Filled with historic and contemporary photographs showing centuries of North Carolina's "barbeculture," as the authors call it, Holy Smoke is one of a kind, offering a comprehensive exploration of the Tar Heel barbecue tradition.A new Aisling Grey, Guardian, novel from the author of The Last of the Red-Hot Vampires

Drake Vire! o, the green dragon of Aisling's dreams, is finally ready to m! ake an h onest woman of her-if she can ever get him to the altar. Being stood up cools Aisling's jets, but not her passion, which is a good thing when Drake disappears and it's up to Aisling to find him. At least her doggie demon Jim is always at her side. Just call him a Guardian's best friend.

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Breakfast at Tiffany's: A Short Novel and Three Stories (Modern Library)

• ISBN13: 9780679600855
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Winner of two Oscars®, here's the romantic comedy that sparkles like diamonds! From the opening strains of Henry Mancini and Johnny Mercer's haunting, Oscar®-winning song "Moon River," you'll once again be under the alluring spell of that madcap, carefree New York playgirl known as Holly Golightly (Audrey Hepburn) in this 24-carat romantic comedy based on Truman Capote's best-selling novella. George Peppard is the struggling and "sponsored" young writer who finds himself swept into Holly's dizzying, delightfully unstructured lifestyle as she determinedly scours Manhattan for a suitable millionaire to marry. The sparkling special features on this Anniversary Edition DVD only add to the luster of direc! tor Blake Edwards' timeless film classic. Patricia Neal, Buddy Ebsen, Martin Balsam and Mickey Rooney co-star; Mancini won an additional Academy Award® for his enthralling musical score. No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulne! rability. Composer Henry Mancini earned Oscars for the hit son! g "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerA New York writer falls in love with an eccentric party girl named Holly Golightly; she is determined to marry a millionaire, but he puts a wrench in her plans.
Item Type: DVD Movie
Item Rating: NR
Street Date: 12/28/01
Wide Screen: yes
Director Cut: no
Special Edition: no
Language: ENGLISH
Foreign Film: noSubtitles: no
Dubbed: no
Full Frame: no
Re-Release: no
Pack! aging: SleeveNo film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's dem! eaning performance as the apartment's Japanese manager, an off! ensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker“I’m crazy about Tiffany’s...Nothing very bad could happen to you there!” For the first time ever, this meticulously restored screen gem is available on Blu-ray™. Holly Golightly (Audrey Hepburn) delights audiences as the carefree ingénue searching Manhattan for a dream millionaire to marry. George Peppard plays the struggling, “sponsored” young writer who gets swept away in Holly’s chaotic-yet-enchanting lifestyle. Directed by Blake Edwards (The Pink Panther, Victor/Victoria), this two-time Oscar®-winning film features Henry Mancini’s honored score*, as well as his and Johnny Mercer’s Academy Award®-wi! nning song, “Moon River.”

*Winner: Best Music â€" Music Score of a Dramatic or Comedy Picture, 1961. Winner: Best Music (Song), 1961.No film better utilizes Audrey Hepburn's flighty charm and svelte beautythan this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry M! ancini earned Oscars for the hit song "Moon River" and his ta! stefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean AxmakerStudio: Paramount Home Video Release Date: 03/06/2007Breakfast at Tiffany's
No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patrici! a Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker

Roman Holiday
Ma! ybe it doesn't quite live up to its sterling reputation, and m! aybe the leading man and director were slightly miscast. But who cares? Roman Holiday is the film that brought Audrey Hepburn to prominence, and the world movie audience went weak at the knees. The endlessly charming Hepburn had her first starring role in this sweet romance, playing a European princess on an official tour through Rome. Frustrated by her lack of connection to the real world, she slips away from her protective handlers and goes on a spree, aided by a tough-guy news reporter (Gregory Peck). Director William Wyler, more at home with such heavy-going, Oscar-winning classics as The Best Years of Our Lives and Ben- Hur, doesn't always keep the champagne bubbles afloat, and the Peck role would have fit Cary Grant like a silk glove. But the film is great fun, the location shooting is irresistible, and Hepburn embodies an image of chic style that would rule for the rest of the fifties. No coincidence: she won an Oscar, and so did veteran costume designer ! Edith Head. --Robert Horton

Sabrina
Audrey Hepburn is the delightful young Sabrina, the daughter of a chauffeur who is hopelessly in love with David Larrabee (William Holden), the playboy younger son in the rich Long Island household her father works for. In order to help her forget her woes, Sabrina is shipped off to cooking school in Paris. While there, she befriends a baron who provides a bit of culture--and the encouragement to snip off her childlike ponytail. Upon her return to New York, Sabrina is transformed into a sophisticated woman, and David is entranced by her. However, his older brother Linus (Humphrey Bogart) has arranged David's marriage to Elizabeth Tyson in order to seal a business merger and thus must steer David away from Sabrina. To do this, Linus takes on the task of wooing her for himself. Full of great dialogue ("A woman happy in love, she burns the soufflé; a woman unhappy in love, she forgets to turn on the oven") and wonderfu! l performances, this film is a romantic masterpiece. Also enjo! yable is the 1995 remake, starring Julia Ormond and Harrison Ford. --Jenny BrownContains:

Breakfast at Tiffany's
House of Flowers
A Diamond Guitar
A Christmas Memory

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