Thursday, September 22, 2011

Color of Night

  • New York psychologist Dr. Bill Capa, haunted by the bizarre suicide of a patient, abandons his successful practice and relocates to Los Angeles. Immediately he finds himself entangled in an explosive sexual relationship with a beautiful but enigmatic woman named Rose, who may hold the key to the mysterious burtal murder of his friend and colleague. System Requirements: Starring: Bruce Willis,
From the novel of the same namewhich has sold over one million copies in 43 languagesthis "sophisticated adaptation of Marguerite Duras' best-selling memoirs" (Variety) smolders on the screen. "Masterfully acted and beautifully photographed" (Critics' Choice), The Lover brilliantly captures the essence of sexual awakening and forbidden desire like no other film has donebeforeor since. Jane March is mesmerizing in the role of a poor French teenager who engages in an illicit affair with a wealthy Chinese ! heir (Tony Leung) in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters. But though the lovers are able to transcend their differences in age, race and class'theirs is a future that French colonial Vietnamese society will never allow.Lovely to look at, this story reveals little more than the characters' nude bodies. Like couples whose only attraction is physical, this has little to offer once it leaves the bedroom. We never learn the interests or inner workings of the lovers in question. They become nothing more than attractive bodies, which makes this little more than a shallow exercise in sexuality. The story is based on the controversial, and supposedly autobiographical, bestseller by experimental French novelist Marguerite Duras. It tells the story of a young French schoolgirl who becomes sexually involved with a sophisticated, older Asian ! man. Set in Indochina in the late 1920s, this is stunningly ph! otograph ed and artfully directed by Jean-Jacques Annaud. That said, the lack of a more satisfying plot means this is merely tastefully produced soft porn. --Rochelle O'Gorman Haunted by the bizarre suicide of a patient, New York psychologist Dr. Bill Capa abandons his successful practice and relocates to L.A., but his encounters there prove as shocking as the chilling event he has run away from, and he immediately finds himself entangled in an explosive sexual relationship with a beautiful but enigmatic woman named Rose, and the investigation into the brutal stabbing murder of a friend and colleague, Dr. Bob Moore. A moth drawn to a flame, Dr. Capa is lured to Rose by his sexual cravings, and he discovers this woman has the power to fulfill his most reckless erotic fantasies. Yet, the more she satisfies him, the more he finds himself enslaved by her manipulation and control. As Capa gets closer to identifying the killer of his patient, Rose becomes an equally tantalizing myst! ery that he must solve -- if he can stay alive long enough to avoid a lunatic murderer who is stalking him.Psychological twists and turns strangle the plot of this disappointing effort from the director of The Stunt Man, Richard Rush. Emotionally damaged psychiatrist Bruce Willis leaves his practice behind and moves to LA when a patient commits suicide in front of him. Out of the goodness of his broken heart, he takes over the practice of a murdered colleague (Scott Bakula). Jane March is the needy but mysterious woman who literally crashes into his life, making sexual advances the good doctor soon reciprocates. What March seems to need most, however, is underwear. The plot and the dialogue vacillate between silly and inane, leaving us with some so-so sex and overblown performances. This could explain why it was the winner of the 1995 Razzie Award for Worst Picture. If you want a more effective thriller that delves into damaged psyches, take another look at Alfred Hi! tchcock's Vertigo. --Rochelle O'Gorman

Wednesday, September 21, 2011

CAT DEELEY 8X10 PHOTO

  • Stunning quality 24x36 inch Poster Print!
  • Ideal to hang on your wall or frame
  • Would look great at home or in your office!
  • Exclusive product only available from Moviestore!
Orlando is a snob. He drinks cream, not milk. He won't eat ordinary fish. Oh no! He eats salmon! But what happens when he has to catch mice? Yuck! This is "Panda 32".This is a truly exceptional item! A high quality poster print measuring 24x36 inches professionally printed on quality Kodak photographic paper. This is no ordinary cheap commercial poster on thin art paper. Our poster is produced on real photo paper by our experienced photo technicians here at Moviestore. We guarantee that you will be delighted with the look, feel and overall stunning quality of your purchase. We offer a full refund of your money if you are not fully satisfied! Buy with confidence from Moviestore.

Hortense B. Hewitt Wedding Accessories Gatefold Guest Book

  • Beautifully decorated guest book gives your guests a special place to share their well-wishes on a special day
  • Unique Gatefold cover has a small clear gem with loop closure
  • Silver-white cover with a subtle flourish print and the word Guests
  • Records up to 1,000 signatures
  • Hortense B. Hewitt has been a leader in top-quality wedding supplies for more than 60 years
Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particula! r book is a collaboration focused on English female adult models.Gatefold Guest Book has a half-inch clear gem and loop closure. Printed with a flourish design and the words guests, this book will record up to 1000 signatures. Overall size is 10-1/4 by 7-3/4-Inch. Give your guests someplace special to share their well-wishes on your special day. Beautifully decorated guest book coordinates with your wedding decor. Your wedding deserves the best - and the best comes from Hortense B. Hewitt, the leader in quality wedding accessories for more than 60 years.

Tuesday, September 20, 2011

MEREDITH BAXTER ELYSE KEATON, COURTENEY COX LAUREN MILLER , MICHAEL GROSS STEVEN KEATON, MICHAEL J. FOX ALEX P. KEATON, JUSTINE BATEMAN MALLORY KEATON TINA YOTHERS JENNIFER KEATON FAMILY TIES 11X14 PHOTO

  • Description: High Quality real photograph printed on Fuji Paper.
  • Size: 11X14 inches
  • Would look great at home or in your office!
  • Exclusive product only available from Moviestore!
When a four-girl, one-guy rock group called The Mystery gets its first gig at a club, it's not just a chance to perform, it's also an opportunity to get out of the inner city¿and see what life is all about. Fresh out of high school, the group spends the summer playing a club in an exclusive beach resort. There they find romance, adventure and, for the lead singer Jennie Lee (Bateman), a dilemma: to pursue her budding career or return to school. Liam Neeson and Julia Roberts co-star.It's hard to believe there was ever a time when Justine Bateman was a bigger star than Julia Roberts, but Satisfaction is the evidence of that brief moment. It's also a movie unjustly maligned, perhaps becaus! e it's a little more frank about the sexuality of young women than older male movie critics find comfortable. Jennie Lee (Bateman, Family Ties) and her band (Roberts, soon to become one of the biggest movies stars in the world; Trini Alvarado, Little Women; Britta Phillips, later to be the bassist for the rock band Luna; and Scott Coffey, the only actor to appear in both Ferris Bueller's Day Off and David Lynch's Mulholland Drive) go to a beach town where they get a gig playing in a club run by a former songwriter (Liam Neeson, Schindler's List). Over the course of a summer, they fall in love, have sex, and play rock and roll--but the tone and texture of the movie is more American Graffiti than Girls Just Want to Have Fun. Perhaps because Satisfaction was directed by a woman, the girls are startlingly well drawn and distinct, despite the movie's episodic nature. Surprisingly, the music has some grit to it, perhaps bec! ause it was produced by the legendary Steve Cropper (of Booker! T. and the MGs). Even more surprising, Roberts doesn't pop out as a future star; watching Satisfaction, you could imagine that anyone in this strong ensemble--even Justine Bateman--could go on to great things (if anyone stands out, it's Britta Phillips, who then dropped out of movies altogether). Satisfaction is not profound, but it is more honest and nonjudgmental about the messiness of life, youth, and love than the overwhelming majority of teen movies. Debbie Harry has a brief but memorable cameo. --Bret FetzerIt's hard to believe there was ever a time when Justine Bateman was a bigger star than Julia Roberts, but Satisfaction is the evidence of that brief moment. It's also a movie unjustly maligned, perhaps because it's a little more frank about the sexuality of young women than older male movie critics find comfortable. Jennie Lee (Bateman, Family Ties) and her band (Roberts, soon to become one of the biggest movies stars in the world; Trini ! Alvarado, Little Women; Britta Phillips, later to be the bassist for the rock band Luna; and Scott Coffey, the only actor to appear in both Ferris Bueller's Day Off and David Lynch's Mulholland Drive) go to a beach town where they get a gig playing in a club run by a former songwriter (Liam Neeson, Schindler's List). Over the course of a summer, they fall in love, have sex, and play rock and roll--but the tone and texture of the movie is more American Graffiti than Girls Just Want to Have Fun. Perhaps because Satisfaction was directed by a woman, the girls are startlingly well drawn and distinct, despite the movie's episodic nature. Surprisingly, the music has some grit to it, perhaps because it was produced by the legendary Steve Cropper (of Booker T. and the MGs). Even more surprising, Roberts doesn't pop out as a future star; watching Satisfaction, you could imagine that anyone in this strong ensemble--even Justine! Bateman--could go on to great things (if anyone stands out, i! t's Brit ta Phillips, who then dropped out of movies altogether). Satisfaction is not profound, but it is more honest and nonjudgmental about the messiness of life, youth, and love than the overwhelming majority of teen movies. Debbie Harry has a brief but memorable cameo. --Bret FetzerThis disc features the popular comedian, Dane Cook, in two hilarious but unaired television pilots. In the first pilot, Cook stars as a comedian just cast in a sitcom and, in the second he plays a slacker who drags his pals through unusual adventures. The single disc DVD also comes with bonus features including gag reels, deleted scenes, and Dane’s ad libs.This book is about famous people that all share the birthday of February 19. Read biographies of Benicio del Toro, Lee Marvin, Haylie Duff and more.

Project Webster represents a new publishing paradigm, allowing disparate content sources to be curated! into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Project Webster continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge.Actress Justine Bateman ('Family Ties'), writing as a fictionalized, bitter version of herself as seen on Illeana Douglas' original comedy Web series 'Easy to Assemble.'
Kindle blogs are fully downloaded onto your Kindle so you can read them even when you're not wirelessly connected. And unlike RSS readers which often only provide headlines, blogs on Kindle give you full text content and images, and are updated wirelessly throughout the day.At Moviestore we have an incredible library of celebrity photography covering movies, TV, music, sport and celebrity. Our exclusive photographs are ! professionally produced by our in-house team; we perfect brigh! t vibran t colors or wonderful black and white tones for our photographic prints that you can display in your home or office with pride. All our images are produced from genuine original negatives and slides held in our vast library. We have been in business for 16 years so you can buy with confidence. Our guarantee: if you are not fully satisfied with any print from Moviestore we will gladly refund your money!

Patiala House - DVD - ALL REGIONS - Akshay Kumar - Anushka Sharma - Rishi Kapoor - Dimple Kapadia - Bollywood

  • Original B4U DVD
Shruti (Anushka Sharma) is a 20 something no nonsense girl from a middle class Delhi household. Focused and determined with preplanned ambitions, her goals in life are well laid out by the time she reaches her final year of college.

Bittoo (Ranveer Singh), on the other hand, has no real aim in life. As a final year college student of Delhi University, he whiles away his life having fun with his buddies, barely scraping through his exams.

A chance and inopportune meeting (or as you would call it, fate) brings the two of them together on a tumultuous journey where they become partners in their very own, "Wedding planning ka bijness". The rules however, are clear: "Jisse vyapaar karo, usse kabhi na pyaar karo" (Don't mix business with pleasure).

Together, their friendship and business, enters the ups and downs of the lavish Delhi weddings. And while trying to! find themselves, Shruti and Bittoo discover each other and realize that in the course of their journey, unke khud ke rules ki bajegi band!At Patiala House lives the Kahlon family ruled by Bauji. They follow his diktats as he tries to hold onto his 'Indian values' in the land of the 'goras'. The younger generation at the Patiala House wants to assert themselves and follow their dreams but are held back by their respect and love for Bauji and the shining example of Bauji's eldest son, Parghat Singh Kahlon aka Gattu. Gattu gave up his dream at the altar of Bauji's biases. His reward: For the last 17 years he has opened the corner store across the tube station. He will tend to his customers, hear the neighbourhood boys playing cricket in the back alley. He will remember a dream that could have become a reality and watch his father rule a house, a family, a community like he has for the last 25 years. He will silently tolerate the snide remarks and insults passed by a younger generation. He will understand the bitterness of his siblings and identify with their shattered dreams. Then he will participate to bring forth a change. He will finally summon the courage to challenge his father and start a movement that will shake the very foundations of Patiala House. Will Bauji loosen his hold and let the youngsters find their own dreams instead of following his? Will Gattu get a second chance to live his life? What's more important: family or dreams? And why must we choose one over the other. 'Patiala House' has been inspired by England cricket team's Sikh member Monty Singh Panesar. Panesar is the first Sikh to join England cricket team and the spinner is a crowd favourite.

Monday, September 19, 2011

The Curse of February 29th

  • A murder has occurred every February 29th at this tollgate ticket booth. Fact or myth? The ticket girls working this evening's shift discuss this mystery. After all, tonight is February 29th. There is dark vehicle approaching. The driver is holding a bloody ticket in his hands. Soon, one of these girls will die. The other will have a nervous breakdown. She will find herself locked up in a mental a
With his masterful, multi-award-winning vengeance trilogy, Park Chan Wook won accolades at home and abroad, and became the object of cult for many film fans, from the grindhouse aficionado to the arthouse purist. Following the anger and violence of Sympathy for Mr. Vengeance, Sympathy for Lady Vengeance, and Old Boy, however, Park was ready for something new - a romantic comedy, albeit one like no other. For his whimsically titled I'm a Cyborg, But That's OK, the director enlisted versatile actress ! Lim Soo Jung (Lump Sugar, Tale of Two Sisters) and film newcomer Jung Ji Hoon, better known to fans across Asia as Rain, as his mentally ill romantic leads.Description The stories that IM Sang-soo tries to tell deal with the lives of modern Koreans. He feels that the responsibility placed upon him as a storyteller is the history of "here and now" untold by older Korean directors of the same period. IM is practically the only director now making films that take a long look at the lives of contemporary Koreans without losing their historical sense. The major interest of this book is in examining the way in which his films observe the lives of modern Koreans. He does not view experimentation in style and form as important, but he realized early on that the stories he sought to tell often demanded unconventional form, and he has worked on polishing the formal beauty within his films to a dazzling degree.This special edition contains both the original 1960 "Housemaid" film, and! the 2010 remake on two DVDs. These DVDs are all-region NTSC f! ormat, a nd will play in North America. Both films feature the original Korean language tracks and English subtitles. Special features for the 1960 movie include a commentary, image comparison documentary, and a photo gallery. Special features for the 2010 film include a trailer, a teaser, and a photo gallery. Both films are uncut.

1960 FILM SYNOPSIS: A suspenseful and disturbing tale of obsession and guilt. Dong-sik (Kim Jin-kyu) is a music teacher whose wife (Ju Jeung-ryu) is expecting a baby. The couple already has two children, and Dong-sik is having trouble covering the bills now that they've moved into a bigger house at his wife's insistence. Hoping to make things easier for his spouse, Dong-sik hires a young woman (Lee Eun-shim) to help with the household chores. However, the new housekeeper has a secret -- she was a close friend of a woman who lost her job and then her life as a result of Dong-sik's betrayal of a confidence. Soon the new housekeeper is using her sensual wiles to lure Dong-sik into infidelity and wrecking her revenge against him and his loved ones.

2010 FILM SYNOPSIS: An official selection of the 2010 Cannes Film Festival. Eun-yi, a middle-aged poor divorcee, is hired as an upper class family housemaid. But soon enough, the master of the house, Hoon, takes advantage of his social position by slipping into her sheets. Hoon's visits become frequent and Byung-sik, an old housemaid, reports the affair to Hoon's mother in law, who plots to give her daughter, Hae-ra, control over her husband. Soon Eun-yi miraculously becomes pregnant and wants to keep the baby. This is discovered by the family and she's forced to have an abortion despite her plea to let her keep the baby and leave the house. This traumatic event causes a mental breakdown and she decides to take matters into her own hands.CURSE OF FEBRUARY 29TH - DVD Movie

Sunday, September 18, 2011

Dil Dosti Etc Movie Poster (11 x 17 Inches - 28cm x 44cm) (2007) Indian Style B -(Immaduddin Shah)(Shreyas Talpade)(Smriti Mishra)(Nikita Anand)

  • Dil Dosti Etc Poster Mini Promo (11 x 17 Inches - 28cm x 44cm) Indian Style B
  • The Amazon image is how the poster will look; If you see imperfections they will also be in the poster
  • Mini Posters are ideal for customizing small spaces; Same exact image as a full size poster at half the cost
  • Size is provided by the manufacturer and may not be exact
  • Packaged with care and shipped in sturdy reinforced packing material
Dil Dosti Etc Poster (11 x 17 Inches - 28cm x 44cm) (2007) Indian Style B reproduction poster print

CAST: Immaduddin Shah, Shreyas Talpade, Smriti Mishra, Nikita Anand; DIRECTED BY: Manish Tiwary; PRODUCER: Prakash Jha;

The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom

  • Wanda and Verna both want their daughters to join the high school cheerleading team. Since Verna's child seems more likely to win, Wanda plans to distract the child by murdering Verna! Based on a true story.Running Time: 99 min. Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R Age: 026359087523 UPC: 026359087523 Manufacturer No: 90875
SAVING GRACE:SEASON 1 - DVD MovieThere are very few television shows that revolve around a single figure to the extent that Saving Grace does. Then again, there are even fewer that can boast an actor as good as Oscar winner Holly Hunter in the lead role, and Hunter draws on her considerable chops and charms to bring to life a character who, while certainly sympathetic, isn̢۪t always especially likable. Her Grace Hanadarko, a detective working for the Oklahoma City Police Department̢۪s Major Crimes division, is a mess. We̢۪re barely into the pil! ot episode (the first of thirteen comprising the show̢۪s first season) before we discover that her married partner is just one of Grace̢۪s many bedmates (promiscuous is one way to describe her; slut is another), and that she̢۪s a heavy smoker and drinker and a foul-mouthed, habitual liar. And that̢۪s on her good days. There are reasons for all of this, of course--turns out that the death of her sister in the 1995 terrorist bombing that claimed 168 lives is just one of them--but it̢۪s only when Grace commits a particularly stupid and reckless act that the potential for redemption appears in the form of Earl (Leon Rippy), a tobacco-chewing good ol̢۪ boy who just happens to be an angel. A "last chance angel," to be exact, who suggests that if Grace will simply turn herself over to God, good things will ensue.

It won’t be easy. Despite Earl’s good-natured appeals (along with an occasional spectacular display of God’s awesome powers), Grace is nigh on incorrigib! le. And while each episode features a crime of some sort, rang! ing from murder and child abduction to the theft of a million-dollar statue of a steer, creator-writer Nancy Miller (who was an executive producer for The Closer, another TNT series with a strong female lead) focuses much more on Grace’s ongoing struggle to accept Earl’s presence ("Why me?" she asks. "I don’t know," comes the reply) and do something to clean up her life. The show’s bluesy, authentic music (including Everlast’s title tune), dry sense of humor, and sexy tone (Hunter, looking very buff, is nearly nude on numerous occasions) are all positive elements; so’s the supporting cast, especially Rippy and Laura San Giacomo (as a police examiner who’s Grace’s best pal). But Saving Grace is all about Holly Hunter, and by and large that’s a very good thing. Bonus features include audio commentary by Miller and others on two episodes and several short featurettes. --Sam GrahamALWAYS - DVD MovieConsidered by many to represent a low point in Ste! ven Spielberg's career, 1990's Always did suggest something of a temporary drift in the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood! classicism. Unlike the masters he is constantly quoting and e! mulating in Always, he forgets to back off and let the movie breathe on its own sometimes, which would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghCarnelle isn't happy with her life, so in order to improve herself she enters a local beauty contest, trying to emulate her cousin Elain's win many years ago. Few think she can win, even her closest friends and relatives (e.g. slightly mad cousin Delmount) think she's heading for a big disappointment, but Carnelle is ever hopeful, seeing a win as a ticket to escape her small town in Mississippi.Considered by many to represent a low point in Steven Spielberg's career, 1990's Always did suggest something of a temporary drift in ! the director's sensibility. A remake of the classic Spencer Tracy film A Guy Named Joe, Always stars Richard Dreyfuss as a Forest Service pilot who takes great risks with his own life to douse wildfires from a plane. After promising his frightened fiancée (Holly Hunter) to keep his feet on the ground and go into teaching, Dreyfuss's character is killed during one last flight. But his spirit wanders restlessly, hopelessly attached to and possessive of Hunter, who can't see or hear him. Then the real conflict begins: a trainee pilot (Brad Johnson), a likable doofus, begins wooing a not-unappreciative Hunter--and it becomes Dreyfuss's heavenly mandate to accept, and even assist in, their budding romance. The trouble with the film is a certain airlessness, a hyper-inventiveness in every scene and sequence that screams of Spielberg's self-education in Hollywood classicism. Unlike the masters he is constantly quoting and emulating in Always, he f! orgets to back off and let the movie breathe on its own somet! imes, wh ich would better serve his clockwork orchestration of suspense and comedy elsewhere. Still, there are lovely passages in this film, such as the unforgettable look on Dreyfuss's face a half-second before fate claims him. John Goodman contributes good supporting work, and Audrey Hepburn makes her final screen appearance as an angel. --Tom KeoghRichard Dreyfuss and Holly Hunter lead an all-star cast in this critically acclaimed tale of life, love and chance. Jilted by her boyfriend, Renata (Hunter), the oldest daughter of a close-knit Italian-American family, falls in love with Sam (Dreyfuss), an abrasive and forcefully charming businessman. But neither her spirited sister (Laura San Giacomo), her down-to-earth father (Danny Aiello), or her supportive mother (Gena Rowlands) can tolerate Sam's often obnoxious intrusion into their family circle. Aggressive and overwhelmingly generous, Sam proceeds - with only the best intentions - to disrupt and nearly demolish Renata'! s family. Love, humor and forgiveness go once more around as the Bellas try to balance Renata's happiness with their family's survival in this funny and often touching story, directed by Lasse Hallstrom.On the fourth thursday in november 84 million american families will gather together.. And wonder why. Studio: Tcfhe/mgm Release Date: 10/17/2006 Starring: Holly Hunter Steve Guttenberg Run time: 103 minutes Rating: Pg13 Director: Jodie FosterHolly Hunter plays a Chicago-based single mom who--on the day before Thanksgiving--loses her job and is informed by her daughter of the latter's intention to surrender her virginity while on a weekend-long affair. If that's not enough, Hunter's character then has to fly to Baltimore to join her fractious family for another difficult Thanksgiving. Robert Downey Jr. is terrifically charming as her prankish, gay brother, and Anne Bancroft and Charles Durning show plenty of comic resilience during the predictably interesting Thanksgiv! ing dinner scene. The script by W.D. Richter (Brubaker)! avoids the usual clichés in family dramas--the deepest, darkest secret revealed here involves the painfully sweet revelation of a 40-year-old crush. Jodie Foster, directing her second feature, focuses instead on the inevitable softening of old grudges and disappointments with time. This is a wise as well as wonderfully fun movie. --Tom Keogh The original title of Living Out Loud was The Kiss, which also happens to be the title of one of the two Anton Chekhov stories the movie is loosely based on. (For those Russian lit mavens out there, the other story is "Misery.") The actual kiss in Living Out Loud is a somewhat mysterious affair: newly single Judith (Holly Hunter) suddenly finds herself laying a wet 'n' sloppy one on a total stranger (Elias Koteas, Hunter's Crash costar) in the back room of a cool jazz club, and then parting ways with the man. For good. Like so much of this exceptionally smart, generous movie, no explanation is given--or nec! essary. Screenwriter Richard LaGravenese (The Fisher King), making his directing debut, charts Judith's struggles in the wake of being dumped by her doctor husband (Martin Donovan). It turns out life has its ups and downs, some of which come courtesy of the elevator operator (Danny DeVito) in her swanky Upper East Side apartment building. DeVito's character is a nice guy in need of a little human touch, and the actor soft-pedals his usual sleaze in favor of a warm, directly emotional approach. It's the kind of turn that garners Oscar nominations, except that this movie didn't attract the box office it deserved. His performance, like the film, keeps surprising you--a fantasy sequence here, an ensemble dance there, plus a couple of smoky jazz tunes contributed by Queen Latifah. This unpredictable movie has the kiss of class. --Robert HortonPOSITIVELY TRUE ADVENTURES OF THE ALL - DVD MovieDirected by Michael Ritchie (The Candidate) with an eye toward his t! errific 1970s legacy of social and political satires, this 199! 3 HBO co medy stars Holly Hunter as the real-life Texas woman who solicited a killer to aid her daughter's dream of becoming a high school cheerleader. Hunter is remarkable in the lead, somehow both scary and sympathetic. But it is Ritchie who gets to the heart of the matter in the aftermath of the murder, when there is a mad scramble by the media and Hollywood to package the absurdist atrocity for their own ends. One of the director's more biting studies of the shadow side of ritual Americana, this is not for anyone looking for a bull docudrama. --Tom Keogh

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