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With information on all aspects of the café business-finances, human resources, food production, recipe/menu development, and even décor-The Modern Café offers! both inspiration and instruction for anyone who wants to operate a successful café.
"The Modern Café is an impressive volume in both breadth and dept h that elevates standard café fare to something worthy of the term cuisine. Francisco Migoya generously shares his years of experience and research, offering a fresh, contemporary approach to casual dining. His technical skill and eye for detail are inspiring, resulting in respectful yet inventive interpretations of the classics. Migoya has given all of us professional cooks, pastry and savory alike, another invaluable resource. " â"Michael Laiskonis, Executive Pastry Chef, Le Bernardin
 "What a high level of professionalism in a book full of originality and creativity! Francisco Migoya has created a new work with technology, sensitivity, and passionâ"an invaluable contribution to the world of gastronomy. Enjoy it!" â"Oriol Balaguer, Pastry Chef and Owner, Oriol Balaguer Boutiques
"! Francisco Migoya's The Modern Cafe is a beautiful book ! that wil l be used as a practical guide and inspiration for professionals and home cooks alike. " â"Grant Achatz, Chef and Owner, Alinea
 "This book is just amazingâ"there is so much information, detail, and inspiration. You can really see Francisco's passion for pastry. This is an outstanding follow up to his first book, Frozen Desserts." â"Patrick Coston, Pastry Chef and Chocolatier
A professional guide to every aspect of the launch and management of a modern, upscale café.
The Modern Café is the first comprehensive, must-have reference for the aspiring restaurateur or café owner who wants to make sure he gets every detail right.
This exquisitely illustrated volume is packed with professional guidance and master recipes for breakfast pastries, artisanal sandwiches, truffles and treats, and much more. Additionally, an entire chapter is devoted to the retail shelf, a key contributor to any café's financial health.
! Recipe Excerpts from The Modern Cafe
Pan-Fried Baby Artichokes with Lemon Aïoli | Financiers | Elderflower Ganache Pops |
Do you love teaching but feel exhausted from the energy you expend cajoling, disciplining, and directing students on a daily basis? If so, you'll want to meet Â"The Sistersâ, Gail Boushey and Joan Moser. Based on literacy learning and motivation research, they created a structure called The Daily Five which has been practiced and refined in their own classrooms for ten years, and shared with thousands of teachers throughout the United States. The Daily Five is a series of literacy tasks (reading to self, reading with someone, writing, word work, and listening to reading) which students complete daily while the teacher meets with small groups or confers with individuals.
This book not only explains the philosophy behind the structure, but shows you how to carefully and systematically train your students to participate in each of the five components.
Explicit modeling practice, reflecting and ref! ining take place during the launching phase, preparing the foundation for a year of meaningful content instruction tailored to meet the needs of each child.
The Daily Five is more than a management system or a curriculum framework; it is a structure that will help students develop the habits that lead to a lifetime of independent literacy.
Restaurants, bars, and cafés are some of the most competitive businesses in the world. Getting the marketing and branding right is essential for survival. This book provides a catalog of creative ideas for getting restaurant graphics right. It offers designers hundreds of inspiring and innovative graphic options for identity, signage, installations, promotions, swag, menus, and more. As with the other books in the 1000 series this book offers designers the ultimate resource to jump-start their creativity for their restaurant industry clients.
That ! all work s; what doesn't work is Branagh's tendency to over-direct the big dramatic moments. He indulges in quick cutting and flashbacks as though to fend off the audience's objections to the four-hour running time, and the style sometimes looks like wasted energy. The experienced Shakespearians in the cast come off nicely; Derek Jacobi's Claudius, Richard Briers' Polonius, and Michael Maloney's Laertes are just terrific. Julie Christie is a suitably attractive Gertrude, and Kate Winslet makes the most of Ophelia's mad scenes. Branagh's habit of folding in unexpected American performers is on the mark, too: Billy Crystal is surprisingly good as the Gravedigger, Robin Williams predictably camps up Osric, and Charlton Heston is an inspired choice as the grandiloquent Player King. The biggest irony here is that Branagh himself is not quite spot-on as Hamlet. Of course he speaks the lines beautifully, but Branagh's screen personality radiates certainty and clarity of vision; there's lit! tle of the doubt that might make him Hamlet-esque. Still, tremendous credit for fending off slings and arrows to get the movie made. --Robert Horton
In her first and most probably last screen performance (she has foresworn acting after her bruising on-set rows with von Trier), brittle Icelandic chanteuse Björk plays Selma, a Czech immigrant living in a folksy American small town with her young son, Gene. Selma is going blind and so will Gene if she does not arrange an important operation for him. To cover the expense, Selma works every hour she can, cheating on her eye tests so she can keep working at the local factory long after her vision has become too unreliable to work safely. She sublets a house from a local cop, Bill (David Morse), and his wife, Linda (Cara Seymour). When nearly bankrupt Bill asks Selma for a l! oan, she refuses, but he later returns and steals the money, w! hich she demands back in a furious confrontation. In the ensuing melee, Bill is fatally shot and Selma is arrested and put on trial. Will justice prevail?
Von Trier's passionate, provocative film runs all our emotional resources dry with suspense, giving us occasional flashes into Selma's gold heart and mind with superb song-and-dance numbers she conjures to banish the nightmare (Björk also wrote the score). At some two-and-a-half hours, it's not for lightweights, but anyone bored with today's smug, "ironic" cinema will relish this as an astonishing assault on the senses and a stark reminder of von Trier's uncompromising talent. --Damon WiseDOGVILLE - DVD MovieThe latest galvanizing and controversial film from Lars von Trier (Dancer in the Dark, Breaking the Waves, The Kingdom), Dogville uses ingenious theatricality to tell the Depression-era story of Grace (Nicole Kidman, The Others), a beautiful fugitive who stumbles onto a tiny town ! in the Rocky Mountains. Spurred on by Tom (Paul Bettany, Master and Commander), who fancies himself the town's moral guide, the citizens of Dogville first resist Grace, then embrace her, then resent and torment her--little realizing they will pay a price for their selfish brutality. The town is indicated by fragments of building and chalk outlines on a soundstage floor, stylishly pointing to the movie's roots in classic plays (particularly Thornton Wilder's Our Town and Friedrich Durrenmatt's The Visit). Several critics have stridently attacked Dogville as anti-American, but the movie's dark, compelling view applies as easily to Rwanda, Bosnia, the Middle East, or pretty much anywhere in the world. Also featuring Lauren Bacall, Patricia Clarkson, Jeremy Davies, Stellan Skarsgârd, Chloe Sevigny, and many more. --Bret Fetzer
Atkinson has enjoyed some mainstream success stateside. He was the nervous minister ("...your awfully wedded wife") in Four Weddings and a Funeral, and the voice of Zazu in The Lion King. But he mainly enjoys cult status among British comedy aficionados as a founding member of Not the Nine O'Clock News and the star of the Black Adder series. B! ean is his crowning creation. In addition to all 14 episodes, this generous boxed set contains previously unaired sketches, Comic Relief appearances, and a segment about Bean's creation, which serves as a nifty introduction for the uninitiated. It also contains a preview for the new Mr. Bean animated series. This seems redundant. As this collection hilariously demonstrates, Bean is already animated enough. --Donald LiebensonRowan Atkinson (Bean, Love Actually, Johnny English) returns to his iconic role as the comical and endearing Mr. Bean in this outrageous comedy adventure! Mr. Bean (Atkinson) can't believe his luck when he wins a camcorder and an all-expense-paid vacatio Welcome back, Mr. Bean! After a too-long hiatus, it's a breath of fresh air to see you out and about, innocent as ever, unwitting in the havoc you wreak and clueless in the chaos you cause. In Mr. Bean's Holiday (the title echoes Jacques Tati's breezy 1953 classic Mr. Hulot's Hol! iday), the resourceful man-child Bean (Rowan Atkinson) win! s a chur ch raffle that packs him off to the beaches of the south of France. But getting there is all the funny, as he is detoured by one mishap after another. En route, he comes to the "aid" of a Cannes Film Festival judge's young son, who is separated (no thanks to Bean) from his father at the train station. Bean also stumbles upon a commercial shoot directed by a stereotypical egomaniacal American filmmaker (Willem Dafoe), and crosses paths with an aspiring actress (a charming Emma de Caunes) also on her way to Cannes. Mr. Bean's Holiday, an upgrade over the 1997 feature Bean, was a box-office smash around the world, but in the States, not so much. Here, the shock gag has replaced the sight gag, and this G-rated Holiday might be considered by more jaded viewers as out of step with contemporary tastes (unlike Borat, there is not a mean-spirited bone in Bean's gangly, malleable body). But in the classic tradition of the silent-movie clowns, Bean's visual ! comedy is universal and requires little translation (there are limited subtitles in this film). Younger children will find a kindred spirit in Bean, who exists in some kind of state of grace, whether trying to digest a disgusting seafood dinner or hilariously lip-syncing to an opera in a public square. --Donald Liebenson
What do you do when the best and the worst moment of your life happens at the exact same time? Henry (Zach Braff, Scrubs, Garden State) is not a particularly nice guy. He is a drug dealer because he is good at it. Nathalie (Isabelle Blais, Human Trafficking) is a beautiful young woman, married and about to have her first child. One night, Henry makes a wrong turn and their lives tragically collide. As Natalie s life unravels, Henry becomes her unlikely guardian angel - compassionate, charming and some much-! needed calm in the storm of her life. She finds a welcome relief in the tall, rumpled stranger that seems only too willing to offer her refuge. But Henry has his own problems. His past misdeeds are catching up to him and he soon discovers that he is no longer able to outrun his past or his present. The inevitable impact of his choices forces both Henry and Nathalie to confront loss, love and life, and to ultimately decide whether the high cost of living is worth the price.
WAL-MART: The High Cost of Low Price takes you behind the glitz and into the real lives of workers and their families, business owners and their communities, in an extraordinary journey that will challenge the way you think, feel... and shop.
Large LCD display counts consumption by the kilowatt-hour |
The LCD shows all meter readings: volts, current, watts, frequency, power factor, and VA |
In his short story The Curious Case of Benjamin Button, F. Scott Fitzgerald provides a humorous and touching journey that reveals what it's like to be born old and age in reverse.
With art by Calef Brown, this collector's edition presents this classic story in illustrated form for the first time.
A 2-CD collection from the acclaimed major motion picture featuring the compelling original score by Alexandre Desplat plus classic music by Louis Armstrong, The Platters and Bix Beiderbecke.
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