- In RIVERS AND TIDES, German documentarian Thomas Riedelsheimer explored the enchanting and hypnotic "nature" art-installations of Andy Goldsworthy. Now, with TOUCH THE SOUND, he turns his camera on nearly deaf percussionist Evelyn Glennie, who experiences sound as a kind of touching or vibration. Using Glennie's unique musical sensibilities as a jumping-off point, Riedelsheimer introduces the
With a keen eye for the absurd, Evelyn Waugh took unerring aim at the foibles of British society. T! his collection brings together faithful adaptations of two of his most brilliant--and biting--satires.
A Handful of Dust In this Oscar®-nominated, grimly comic tale set among the idle rich, Kristin Scott Thomas (The English Patient) and James Wilby (Howardâs End) portray Brenda and Tony Last, a couple whose lives slowly unravel after Brenda takes a lover to relieve her boredom. Also starring Rupert Graves (A Room with a View), Anjelica Huston, Alec Guinness, Stephen Fry, and Judi Dench in a BAFTA-winning role.
Scoop A naïve newspaper reporter tries to cover "a promising little war" in a tiny, remote African republic. Timelessly relevant, this pitch-perfect farce mercilessly skewers politicians, the press, and a gullible public. Starring Michael Maloney (Truly, Madly, Deeply), Denholm Elliott (Indiana Jones and the Last Crusade), and Donald Pleasence (Halloween).
DVD FEATURES INCLUDE biography of Ev! elyn Waugh and cast filmographies.TOUCH THE SOUND - DVD MovieS! ubtitled "A Sound Journey with Evelyn Glennie," German director Thomas Riedelsheimer's exquisite Touch the Sound is nominally a portrait of the Scottish musician known as "the first full-time solo percussionist." Glennie is certainly a fascinating subject. Profoundly deaf since childhood, she disdains the use of hearing aids and sign language, relying instead on lip reading and, more crucially, on the use of all of her senses, especially touch, to "hear" with her entire body. The film reveals Glennie's extraordinary skills in a variety of settings: playing a snare drum for bemused New Yorkers in cavernous Grand Central Station; improvising with guitarist Fred Frith in an empty warehouse in Cologne, Germany (their final vibes-guitar duet is one of the film's musical highlights); working with hearing-impaired students in her native Aberdeenshire; jamming with taiko drummers in Japan, and later delighting customers in a Tokyo bar with a spontaneous workout involving chopsticks, ! dishes, cans, and glassware (the woman can make music with virtually anything). But Riedelsheimer, who was also the film's editor and cinematographer, has a broader agenda here--namely, to intensify our awareness of the sounds that surround us everywhere, in every moment. From the streets of New York to the beaches of Santa Cruz, from the rocky Scottish coastline to a tranquil Japanese rock garden, he links heightened audio, as clear and natural as the best ECM recordings, to a succession of gorgeous visual images to create a balance of complex detail and overall sparseness, resulting in a kind of Zen feast. Even more of the same is found in a "making of" featurette that's the highlight of the bonus material, making Touch the Sound easily one of the most rewarding documentaries in recent years. --Sam Graham
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