Friday, November 18, 2011

Firestorm: Preventing and Overcoming Church Conflicts

  • ISBN13: 9780801090912
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"I cannot recommend Taylor Anderson too highly." -David Weber, author of Out of the Dark

Lieutenant Commander Matthew Reddy and the crew of the USS Walker find themselves caught between the nation they swore to defend and the allies they promised to protect. For even as the Allies and the Empire of New Britain Isles stand united against the attacks of both the savage Grik and the tenacious Japanese, the "Holy Dominion"-a warped mixture of human cultures whose lust for power overshadows even the Grik-is threatening to destroy them both with a devastating weapon neither can withstand.

An Email Excha! nge Between David Weber and Taylor Anderson, author of Firestorm: Destroyermen.

Taylor Anderson

Taylor Anderson: Hi David! I just now--literally--got back from the WorldCon in Reno. It was fun--and I was also able to personally thank Steve Stirling for the nice blurb he gave my first book. Of course, I am also humbly honored by the very nice blurb you just gave me! If we're not careful, people might begin to suspect we are friends! Of course my meager, good opinion of everything you have written is a matter of record--and espoused at every opportunity!

David Weber: Friends! Friends!? How could anyone possibly suspect such a thing?! But I digress. You're certainly welcome to the cover blurb, since it's only accurate. I mean,! us being friends and all I probably would have lied for you i! f I'd ne eded to, but what the heck? It's always nicer when you can say nice things because they're accurate. Helps add to your reputation for infallibility, you know.

Anyway, I've got How Firm a Foundation, which is, what--Safehold #4?--coming out in September. You've got one coming out next month, too, as I recall. So you want to tell me what you're going to do to Walker's crew and their friends this time?

Taylor Anderson: I am SOOOOO stoked to read How Firm a Foundation. Most of my reading lately has been old tech manuals, and I need some David Weber! I love how your "Merlin" manages to prod the Safehold tech development along. Artificial being or not, it has to be frustrating to have all that information--that will save lives--running around in his/her head and have to be so careful about revealing it in a logical progression. I'm still improving the "tech" in Firestorm: Destroyermen--which comes out October 4th--but the c! ontrast in how it is applied is fun to compare to the Safehold series.

Your "Merlin" knows…everything, but has to hold back while everyone else accepts what is possible, whereas my Destroyermen know what is possible, but don't necessarily know how, or how best to achieve it. Different frustrations. Your guys have to be a lot more careful! Of course the Grik are still there, with their mad Japanese advisor--but the Grik are starting to "get wise" almost in spite of Kurokawa. He gives them technology, but retains his own agenda. Battle will rage on the land, sea, and in the air!

David Weber

David Weber: Well, as you know, I "snippet" excerpts of the books on my website, so we're several thousand words into How Firm a Foundation, already. That makes things…interestin! g from my perspective, since the fans can't wait to start sugg! esting w hat my characters should be "inventing" next. I haven't even got steam engines past the proscriptions of the Inquisition yet, and some of these guys seem to think I should already be designing King Edward VII-class, pre-dreadnought battleships! I did just give the Charisians breech-loading caplocks, though. That's going to make life interesting for the other side. And Merlin is about to find out (sort of) what I stashed--I'm sorry, what the Archangel Langhorne stashed--under the Temple. It is a bit darker book, though, since the Church gets in a few licks of its own this time around. Your guys have had that experience, too, I think, haven't they?

One thing I'm pondering about is introducing a better propellant than black powder. I'd have to be really careful about that, dealing with the anti-technology proscriptions, but back when Safehold was first settled, the Church did set up the rote preparation and production of fertilizers on a relatively large! -scale. It's occurred to me that if I want to introduce nitrocellulose, I might have a platform for that in the fertilizer industry. Or perhaps I should say in the fertilizer pre-industry, since we're not exactly talking about current day DuPont levels of production. What do you think? Practical or would I be stretching things too far?

Taylor Anderson: I haven't done "snippets," but I still get a lot of suggestions and speculation on my web site and through direct contacts. I think it's fun and exciting that so many people are thinking about our books. Some of the suggestions are a little strange--okay, sometimes all I can do is just stare--but Destroyermen is a kind of strange story! The contrast between "They couldn't really do that," and "Why don't they have atomic weapons yet?" from one contact to the next can be amusing though. Things take time, particularly when your characters have to find the things to build the things to build the! things they need.

If you're asking my opinion on pro! pellants , I'd have to suggest sticking with black powder for a while. Your caplock breechloaders will be easy to convert, certainly. I'm converting rifle-muskets to a type of "Allin" breechloader myself. But you can actually get better performance out of black powder in such weapons since they weren't designed (or alloyed and treated) for the higher pressures "smokeless" produces. You'd have to make some major leaps in metallurgy to support jacketed bullets as well, and without them, you're stuck with black powder velocities anyway. Besides, your battles are so much more artistic with plenty of fire and smoke!

Of course, then comes logistics! Ha! As you always show so well, getting "new" stuff to the pointy end--and supplying it--is the greatest challenge of all…but then that's pretty fun to write and read about too, isn't it? Wow. I can't wait to be taunted with what you Langhorne stashed! People who know we are friends ask me all the time what "it" is and don't r! eally believe me when I tell them "I don't know!" If I did, I wouldn't rat--and I don't WANT to know until it unfolds on the pages in front of me!

David Weber: I'm inclined to stick with black powder for small arms for quite a while, for a lot of reasons, including the ones you've mentioned. I'm not too sure about how major a jump I'd have to make to support jacketed bullets--the Safehold-ian tech structure doesn't match up perfectly with any particular, in Earth's history, thanks to all of the "technologies without the science" tucked away in the Holy Writ. That means it wouldn't be beyond the reach of allowable technologies (and Safehold-current techniques) to form copper jackets and then compress the lead into them. I'm inclined to agree with you about the conversion process, and I'm also inclined to think that converting the smokeless powders would also require a drop in caliber, if I want to take advantage of the higher velocities flat! ter trajectories without beating my poor riflemen to death!

I was looking at improved propellants more from the perspective of naval gunnery, field artillery, and shell-fillers (I know, I know--not a "propellant". So sue me!) and that sort of thing. Can't have really long-range gunnery without predictable propellant burn times, and I don't think I can get that kind of quality control out of black powder. At the same time, I have to be thinking in terms of reasonably attainable technologies. And you'd better believe I plan on putting my head together with yours when I actually start converting to cartridges and repeaters!

Of course, my life is even more interesting in the next couple of months than yours is, because I [he said, blushing modestly and looking down at his toes] have a new book coming out in October, as well! I finally got around to writing that young adult novel I've wanted to write for so long for Baen's publishing, A Beautiful Friendship, next month. Trust me; it's a very different change of pace from ! the Safehold books!

Taylor Anderson: Oh I know about A Beautiful Friendship, you prolific devil. I've already pre-ordered it too. You're right of course. No real reason why better steels would be proscribed I guess. That's what I meant about jacketed bullets, by the way. Not the bullets themselves, but the barrels that will have to survive them--especially if you increase your rate of fire dramatically! Hehe. Once you eliminate that gas-gushing vent in a muzzle-loader, black powder is amazingly consistent in cartridges--but you still need a whopping heavy (and abusive) bullet to carry your energy along. Flat shooters they ain't.

It's no secret that "my" Destroyermen have been working on guncotton and other things. They have the recipe--from that same, valuable little manual we both have!--but the recipe needs a little adjustment when you're not sure what to use for cotton, for example!

Experimentation can be exciting, and ! a lot of the fun is letting the characters come up with their ! own angl es. Like I've said, as capable as my Destroyermen are, there are a lot of things they don't know how to do, and they often come up with weird, "wrong," but adequate procedures. Also, with their fascination for gizmos, the Lemurians are beginning to come up with some slap your forehead notions and applications that might never have occurred to humans--which begs the question: why did they occur to me?

I'm all for juicing up naval artillery--or any artillery at all, as you know--but at sea, particularly, greater range is wasted without some advanced means of fire control. Even rifling won't help much. It's all in the timing, if you know what I mean. Oh, I've got the perfect repeater for you! I can't--actually won't use it--for the same reason I won't use another conversion we discussed, and I would love to see you use (hint). They just wouldn't make sense for my guys and their different starting point. For YOU however…they might even pass the proscriptions!

David Weber: Oh, yeah. I just finished, like a week or so ago, posting somewhere around a 5,000-word dissertation on the requirements for long-range naval gunnery on the Safehold forum on my website, because some of my readers were wondering how soon the Imperial Charisian Navy is going to go to long-range gunnery, by which some of them seemed to be thinking 20,000 or 30,000 yards. I had to explain that without centralized fire control to make sure all guns fired at exactly the right moment and on the right bearing, without inclinometers to be sure they fired at the right point in the ship's roll, without the ability to predict target movement, without accurate range-finding, and--especially--without predictable and repeatable propellant burn times (not to mention monitoring board erosion, temperature, humidity, propellant temperature, etc.), accurate naval gunnery at anything much over 6,000 yards is going to be problematical at best. I think that ! sort of "taking things for granted" is part of the price we pa! y for li ving at the "user end" of a technological world in the first place, but it starts coming home to you when you do the kind of thing you and I are doing in our books which is trying to build a technological infrastructure from scratch and figuring out how the wheel was invented in the first place!

Although, you know, thinking about it, what we're both doing in our different ways that's even more significant than the technology, I think, is looking at the values of the fictitious societies we've created. When you come down to it, technology is just tools -- it's what people do with those tools that distinguishes them from one another. Dark Age mentalities can do terrifying amounts of damage with modern technology. God knows we've seen enough of that in recent years, haven't we? I first came up with the concept for the Safehold books something like twenty years ago, and I've been mostly faithful to that original concept, but I can't pretend it hasn't been modified by th! ings that have happened in the real world since. I actually make an effort to avoid having that happen, but I don't think any author can do that, really. After all, we live in the real world! But what my heroes are doing on Safehold and what your Destroyermen and their allies are doing on your alternate Earth is trying to push back the darkness, and I think that's the real reason a lot of their fans want to know what happens next in both universes. I know I sure do, at any rate!

Taylor Anderson: Ha! Few things could be more difficult to comprehend than all the variables that prevent accurate long range naval gunnery. Just figuring out all those variables is hard enough, and then compensating for them all presents an incredibly daunting challenge. The first "modern" computers, in all their complexity, were devoted to just that. Powered torpedoes add even more wild variables. I'll have to read your post to see how you managed to explain it all in a me! re 5,000 words! I imagine that if anyone could do it, it would! be you!

Ultimately however, I couldn't agree with you more; the people are the story. The technology is fun to research, bend to our specific applications, write about, and kick around with each other, but our characters--defined by their character--drive the stories. The "Safehold" and the people who inhabit it, that Nimue Alban's…memories…awoke to was every bit as alien as the world Matt Reddy and his crew of USS Walker encounter in Destroyermen. Both worlds are as remote as they can possibly be to what they knew before, and full of unfamiliar threats and challenges. It is how they--and those around them--deal with their apparently insurmountable obstacles that form the "souls" of each story. Both have a vision for how best to protect and secure the people--and worlds--they have inherited, and both are determined to accomplish their task regardless of the cost, particularly to themselves. In this day and age, it may seem quaint to some that people mig! ht be so determined to "do the right thing, as they see it, when nobody is looking," in a sense. But I believe that quality is still admired, and is, I hope, the most resonant chord we have struck with both our tales.

Firefighter paramedic Mallory "Ice" James commands a crew of smokejumpersâ€"twenty women and men who eat together, sleep together, and parachute into the face of raging forest fires together. Discipline and teamwork mean the difference between life and death on the line, and she's earned her reputation as cool and controlled in the face of danger. "Hot Shot" Jace Russo never met a rule she wouldn't break and doesn't plan to stop just because the woman setting the terms is drop-dead gorgeous and hotter than the blazes they're supposed to be dousing. Mallory and Jace may not like each other much, but lust isn't something either can controlâ€"and they soon discover ice burns as fiercely as flame.

I cannot recommend Taylor Anderson too hi! ghly." -David Weber, author of Out of the Dark

!

Lieu tenant Commander Matthew Reddy and the crew of the USS Walker find themselves caught between the nation they swore to defend and the allies they promised to protect. For even as the Allies and the Empire of New Britain Isles stand united against the attacks of both the savage Grik and the tenacious Japanese, the "Holy Dominion"-a warped mixture of human cultures whose lust for power overshadows even the Grik-is threatening to destroy them both with a devastating weapon neither can withstand.



"

An Email Exchange Between David Weber and Taylor Anderson, author of Firestorm: Destroyermen.

Taylor Anderson

Taylor Anderson: Hi David! I just now--literally--got back from the Wor! ldCon in Reno. It was fun--and I was also able to personally thank Steve Stirling for the nice blurb he gave my first book. Of course, I am also humbly honored by the very nice blurb you just gave me! If we're not careful, people might begin to suspect we are friends! Of course my meager, good opinion of everything you have written is a matter of record--and espoused at every opportunity!

David Weber: Friends! Friends!? How could anyone possibly suspect such a thing?! But I digress. You're certainly welcome to the cover blurb, since it's only accurate. I mean, us being friends and all I probably would have lied for you if I'd needed to, but what the heck? It's always nicer when you can say nice things because they're accurate. Helps add to your reputation for infallibility, you know.

Anyway, I've got How Firm a Foundation, which is, what--Safehold #4?--coming out in September. You've got one coming out next month, too, as I r! ecall. So you want to tell me what you're going to do to Walke! r's crew and their friends this time?

Taylor Anderson: I am SOOOOO stoked to read How Firm a Foundation. Most of my reading lately has been old tech manuals, and I need some David Weber! I love how your "Merlin" manages to prod the Safehold tech development along. Artificial being or not, it has to be frustrating to have all that information--that will save lives--running around in his/her head and have to be so careful about revealing it in a logical progression. I'm still improving the "tech" in Firestorm: Destroyermen--which comes out October 4th--but the contrast in how it is applied is fun to compare to the Safehold series.

Your "Merlin" knows…everything, but has to hold back while everyone else accepts what is possible, whereas my Destroyermen know what is possible, but don't necessarily know how, or how best to achieve it. Different frustrations. Your guys have to be a lot more careful! Of course the Grik are still there,! with their mad Japanese advisor--but the Grik are starting to "get wise" almost in spite of Kurokawa. He gives them technology, but retains his own agenda. Battle will rage on the land, sea, and in the air!

David Weber

David Weber: Well, as you know, I "snippet" excerpts of the books on my website, so we're several thousand words into How Firm a Foundation, already. That makes things…interesting from my perspective, since the fans can't wait to start suggesting what my characters should be "inventing" next. I haven't even got steam engines past the proscriptions of the Inquisition yet, and some of these guys seem to think I should already be designing King Edward VII-class, pre-dreadnought battleships! I did just give the Charisians breech-loading caplocks, though. Tha! t's going to make life interesting for the other side. And Mer! lin is a bout to find out (sort of) what I stashed--I'm sorry, what the Archangel Langhorne stashed--under the Temple. It is a bit darker book, though, since the Church gets in a few licks of its own this time around. Your guys have had that experience, too, I think, haven't they?

One thing I'm pondering about is introducing a better propellant than black powder. I'd have to be really careful about that, dealing with the anti-technology proscriptions, but back when Safehold was first settled, the Church did set up the rote preparation and production of fertilizers on a relatively large-scale. It's occurred to me that if I want to introduce nitrocellulose, I might have a platform for that in the fertilizer industry. Or perhaps I should say in the fertilizer pre-industry, since we're not exactly talking about current day DuPont levels of production. What do you think? Practical or would I be stretching things too far?

Taylor Anderson: I have! n't done "snippets," but I still get a lot of suggestions and speculation on my web site and through direct contacts. I think it's fun and exciting that so many people are thinking about our books. Some of the suggestions are a little strange--okay, sometimes all I can do is just stare--but Destroyermen is a kind of strange story! The contrast between "They couldn't really do that," and "Why don't they have atomic weapons yet?" from one contact to the next can be amusing though. Things take time, particularly when your characters have to find the things to build the things to build the things they need.

If you're asking my opinion on propellants, I'd have to suggest sticking with black powder for a while. Your caplock breechloaders will be easy to convert, certainly. I'm converting rifle-muskets to a type of "Allin" breechloader myself. But you can actually get better performance out of black powder in such weapons since they weren't designed (or alloyed and! treated) for the higher pressures "smokeless" produces. You'd! have to make some major leaps in metallurgy to support jacketed bullets as well, and without them, you're stuck with black powder velocities anyway. Besides, your battles are so much more artistic with plenty of fire and smoke!

Of course, then comes logistics! Ha! As you always show so well, getting "new" stuff to the pointy end--and supplying it--is the greatest challenge of all…but then that's pretty fun to write and read about too, isn't it? Wow. I can't wait to be taunted with what you Langhorne stashed! People who know we are friends ask me all the time what "it" is and don't really believe me when I tell them "I don't know!" If I did, I wouldn't rat--and I don't WANT to know until it unfolds on the pages in front of me!

David Weber: I'm inclined to stick with black powder for small arms for quite a while, for a lot of reasons, including the ones you've mentioned. I'm not too sure about how major a jump I'd have to make to support j! acketed bullets--the Safehold-ian tech structure doesn't match up perfectly with any particular, in Earth's history, thanks to all of the "technologies without the science" tucked away in the Holy Writ. That means it wouldn't be beyond the reach of allowable technologies (and Safehold-current techniques) to form copper jackets and then compress the lead into them. I'm inclined to agree with you about the conversion process, and I'm also inclined to think that converting the smokeless powders would also require a drop in caliber, if I want to take advantage of the higher velocities flatter trajectories without beating my poor riflemen to death!

I was looking at improved propellants more from the perspective of naval gunnery, field artillery, and shell-fillers (I know, I know--not a "propellant". So sue me!) and that sort of thing. Can't have really long-range gunnery without predictable propellant burn times, and I don't think I can get that kind of quality ! control out of black powder. At the same time, I have to be th! inking i n terms of reasonably attainable technologies. And you'd better believe I plan on putting my head together with yours when I actually start converting to cartridges and repeaters!

Of course, my life is even more interesting in the next couple of months than yours is, because I [he said, blushing modestly and looking down at his toes] have a new book coming out in October, as well! I finally got around to writing that young adult novel I've wanted to write for so long for Baen's publishing, A Beautiful Friendship, next month. Trust me; it's a very different change of pace from the Safehold books!

Taylor Anderson: Oh I know about A Beautiful Friendship, you prolific devil. I've already pre-ordered it too. You're right of course. No real reason why better steels would be proscribed I guess. That's what I meant about jacketed bullets, by the way. Not the bullets themselves, but the barrels that will have to survive them--especial! ly if you increase your rate of fire dramatically! Hehe. Once you eliminate that gas-gushing vent in a muzzle-loader, black powder is amazingly consistent in cartridges--but you still need a whopping heavy (and abusive) bullet to carry your energy along. Flat shooters they ain't.

It's no secret that "my" Destroyermen have been working on guncotton and other things. They have the recipe--from that same, valuable little manual we both have!--but the recipe needs a little adjustment when you're not sure what to use for cotton, for example!

Experimentation can be exciting, and a lot of the fun is letting the characters come up with their own angles. Like I've said, as capable as my Destroyermen are, there are a lot of things they don't know how to do, and they often come up with weird, "wrong," but adequate procedures. Also, with their fascination for gizmos, the Lemurians are beginning to come up with some slap your forehead notions and applications that mig! ht never have occurred to humans--which begs the question: why! did the y occur to me?

I'm all for juicing up naval artillery--or any artillery at all, as you know--but at sea, particularly, greater range is wasted without some advanced means of fire control. Even rifling won't help much. It's all in the timing, if you know what I mean. Oh, I've got the perfect repeater for you! I can't--actually won't use it--for the same reason I won't use another conversion we discussed, and I would love to see you use (hint). They just wouldn't make sense for my guys and their different starting point. For YOU however…they might even pass the proscriptions!

David Weber: Oh, yeah. I just finished, like a week or so ago, posting somewhere around a 5,000-word dissertation on the requirements for long-range naval gunnery on the Safehold forum on my website, because some of my readers were wondering how soon the Imperial Charisian Navy is going to go to long-range gunnery, by which some of them seemed to be thinking 20,! 000 or 30,000 yards. I had to explain that without centralized fire control to make sure all guns fired at exactly the right moment and on the right bearing, without inclinometers to be sure they fired at the right point in the ship's roll, without the ability to predict target movement, without accurate range-finding, and--especially--without predictable and repeatable propellant burn times (not to mention monitoring board erosion, temperature, humidity, propellant temperature, etc.), accurate naval gunnery at anything much over 6,000 yards is going to be problematical at best. I think that sort of "taking things for granted" is part of the price we pay for living at the "user end" of a technological world in the first place, but it starts coming home to you when you do the kind of thing you and I are doing in our books which is trying to build a technological infrastructure from scratch and figuring out how the wheel was invented in the first place!

Although, you! know, thinking about it, what we're both doing in our differe! nt ways that's even more significant than the technology, I think, is looking at the values of the fictitious societies we've created. When you come down to it, technology is just tools -- it's what people do with those tools that distinguishes them from one another. Dark Age mentalities can do terrifying amounts of damage with modern technology. God knows we've seen enough of that in recent years, haven't we? I first came up with the concept for the Safehold books something like twenty years ago, and I've been mostly faithful to that original concept, but I can't pretend it hasn't been modified by things that have happened in the real world since. I actually make an effort to avoid having that happen, but I don't think any author can do that, really. After all, we live in the real world! But what my heroes are doing on Safehold and what your Destroyermen and their allies are doing on your alternate Earth is trying to push back the darkness, and I think that's the real reason a lot ! of their fans want to know what happens next in both universes. I know I sure do, at any rate!

Taylor Anderson: Ha! Few things could be more difficult to comprehend than all the variables that prevent accurate long range naval gunnery. Just figuring out all those variables is hard enough, and then compensating for them all presents an incredibly daunting challenge. The first "modern" computers, in all their complexity, were devoted to just that. Powered torpedoes add even more wild variables. I'll have to read your post to see how you managed to explain it all in a mere 5,000 words! I imagine that if anyone could do it, it would be you!

Ultimately however, I couldn't agree with you more; the people are the story. The technology is fun to research, bend to our specific applications, write about, and kick around with each other, but our characters--defined by their character--drive the stories. The "Safehold" and the people who inhab! it it, that Nimue Alban's…memories…awoke to was every bit ! as alien as the world Matt Reddy and his crew of USS Walker encounter in Destroyermen. Both worlds are as remote as they can possibly be to what they knew before, and full of unfamiliar threats and challenges. It is how they--and those around them--deal with their apparently insurmountable obstacles that form the "souls" of each story. Both have a vision for how best to protect and secure the people--and worlds--they have inherited, and both are determined to accomplish their task regardless of the cost, particularly to themselves. In this day and age, it may seem quaint to some that people might be so determined to "do the right thing, as they see it, when nobody is looking," in a sense. But I believe that quality is still admired, and is, I hope, the most resonant chord we have struck with both our tales.

I cannot recommend Taylor Anderson too highly." -David Weber, author of Out of the Dark

Lieutenant Commander Matthew Reddy and the crew o! f the USS Walker find themselves caught between the nation they swore to defend and the allies they promised to protect. For even as the Allies and the Empire of New Britain Isles stand united against the attacks of both the savage Grik and the tenacious Japanese, the "Holy Dominion"-a warped mixture of human cultures whose lust for power overshadows even the Grik-is threatening to destroy them both with a devastating weapon neither can withstand.



"#1 New York Times bestselling author Iris Johansen turns up the heat in this explosive new psychological thriller. This time a gifted arson investigator teams up with a mysterious operative to stop a killer raging completely out of control...

For Kerry Murphy, the inferno is never far away. The flames of that long-ago night still burn in her nightmares: the heat, the choking smoke, the helplessness. She can never run fast enough...

Now Kerry works as an arson investigator with her eviden! ce-sniffing dog, Sam. Together they're a great team, but her ! life is about to change in the time it takes to strike a match. The deadly flames of her past are back, and from out of the ashes a stranger appears. Who is Silver? And why has he chosen her in the desparate race to find a killer determined to ignite hell on earth? Kerry and Silver may not have a chance against a psychopath as coldhearted as his method is red-hot. To save themselves and the innocent lives at stake, Kerry will have to do what she hoped she'd never have to do: fight fire with fire.


From the Hardcover edition.Arson investigator Kerry Murphy has a unique talent for sniffing out the cause of fires like the one that killed her mother years ago. She also has a secret, known only to the mysterious stranger named Silver, a "consultant" who needs her cooperation in stopping the psychopath who burned his brother alive and who's holding national security hostage to his own demented ego. Silver has an uncanny gift for getting under Kerry's skin, whi! ch is both the good and bad news--good because it doubles their chances of finding the man behind the terrifying weapon of the title, and bad because Kerry can't afford to be vulnerable to Silver or any other man. Johansen has written a taut thriller that's not quite as combustible as its title but one that will keep readers fired up enough to stick with it to the last page. --Jane AdamsA raging forest fire in California's Lassen Volcanic National Park traps exhausted firefighters, including Ranger Anna Pigeon, in its midst. Afterward, Anna finds two from her group have been killed. One a victim of the flames. The other, stabbed through the heart. Now, as a rampaging winter storm descends, cutting the survivors off from civilization, Anna must uncover the murderer in their midst.A raging fire in a national park seems an unlikely setting for a murder, but that's exactly the circumstances that crime-fighting park ranger and medic Anna Pigeon confronts in this myster! y thriller. A suspicious fire breaks loose in Northern Califo! rnia's L assen Volcanic Park and Pigeon assists in battling the blaze and treating the wounds of other fire fighters. As if that's not enough, Pigeon finds herself without food and water trapped with a group of fire fighters, one of whom is a murderer. She tries to figure out who the culprit is before he, or the weather, strikes again.

Two worlds collide when Poppy, a street orphan who makes a living by stealing, and Justin, the son of a wealthy jeweler, meet and become friends. Poppy plans to change her thieving ways, but when Justin loses money at his father’s jewelry store and Poppy is accused of stealing it, she flees back onto the streets. Justin insists on searching for herâ€"just as the Great Chicago Fire of 1871 breaks out.

Alternately narrated by Poppy and Justin, this is a gripping story of right and wrong, trust and forgiveness, and finding hope in the ashes of destruction.The heat is on and time is running out! Howie Long, Hollywood's hottest new action hero. ! stars with Scott Glenn, William Forsythe and Suzy Amis in a searing, pulse-pounding, edge-of-your-seat adventure! "The match is lit." These chilling words spark a deadly chain if events when a prison break pits fearless smokejumper Jesse Graves (Long) against two devastating, seemingly unstoppable forces of nature: a raging inferno and a cunning, psychotic killer. Packed with spectacular stunts, scorching suspense and a cast that'll blow you away.Firefighter paramedic Mallory “Ice” James commands a crew of smokejumpersâ€"twenty women and men who eat together, sleep together, and parachute into the face of raging forest fires togetherâ€"and she has thirty days to whip the rookies into shape. Discipline and teamwork mean the difference between life and death on the line, and she’s earned her reputation as cool and controlled in the face of danger. Mallory isn’t happy when “Hotshot” Jac Russo shows up unannounced for boot camp along with a reputation for being tr! ouble. Jac is none too pleased about her cold reception, even ! if the n ew boss is drop-dead gorgeous and hotter than the blazes they’re supposed to be dousing. Mallory and Jac may not like each other much, but lust isn’t something either can controlâ€"and they soon discover ice burns as fiercely as flame.Firefighter paramedic Mallory “Ice” James commands a crew of smokejumpersâ€"twenty women and men who eat together, sleep together, and parachute into the face of raging forest fires togetherâ€"and she has thirty days to whip the rookies into shape. Discipline and teamwork mean the difference between life and death on the line, and she’s earned her reputation as cool and controlled in the face of danger. Mallory isn’t happy when “Hotshot” Jac Russo shows up unannounced for boot camp along with a reputation for being trouble. Jac is none too pleased about her cold reception, even if the new boss is drop-dead gorgeous and hotter than the blazes they’re supposed to be dousing. Mallory and Jac may not like each other much, but lust! isn’t something either can controlâ€"and they soon discover ice burns as fiercely as flame.

His mother is not his mother. His father is not his father. And if Jack he hadn’t broken the high school rushing record that night, nothing would have changed. He’d just be going out for pizza, playing football, trying yet again to score with his girlfriend, P.J.
     But he did break the record. He appeared on the news. And now they have found him.
     Ripped from the only world he has ever known, Jack plunges into a space-timeâ€"bending game of survival with no way out. The rules are shrouded in secrets they say he can’t handle. But some things he learns fast: Trust no one. Never forget that your friends could reveal themselves as your enemies at any second. Every turn leads to betrayal. And if you don’t go along with it, you die.
     After centuries of abuse, the earth is dying, and it’s up to Jack to reverse the decline before the Turn! ing Point, when nothing will ever be the same again. Beaten in! to shape by a ninja babe and a huge telepathic man’s best friend, Jack hurtles across the ocean to save the future from the present and to solve the mystery of his purpose. Exactly who, or what, is Firestorm, and what does it have to do with Jack? And what comes next when everything you have ever known turns out to be wrong?
Practical suggestions on how to avoid and overcome the destructive interpersonal conflicts many churches have experienced with leaders, members, and pastors.

Dr. Dolittle 2

  • TESTED
Superstar Eddie Murphy is back as Dolittle, the beloved doctor with the up-ROAR-ious critter-communicating talents. This time around Dolittle plays Cupid to bumbling circus bear to help a group of forest creatures save their habitat. With the aid of his mangy, madcap animal friends, Dolittle must teach this overgrown teddy the ways of true romance in time to save his species and his home!It's only a marginal improvement, but Dr. Dolittle 2 defies the odds by rising above its popular 1998 predecessor (and once again, let's not confuse these movies with the earlier Rex Harrison musical). Eddie Murphy cakewalks through his title role with the confident professionalism of a comedian who knows when to share the spotlight--especially when he's being upstaged by a bunch of animals who steal all the punch lines. And once again the movie's aimed at a preteen audience, so many of those pu! nch lines involve flatulence, bodily functions, and frequent use of the word butt.

The difference this time: Dr. Dolittle has settled into his talk-to-the-animals routine; his 16-year-old daughter (Raven-Symone) is getting to be a feisty handful (it turns out she's coping with a hereditary gift); and his lawyer wife (Kristen Wilson) is representing him in a trial against corporate villains who want to clear-cut a local forest. Naturally, the local critter mafia (their Don is a beaver... fugeddaboutit!) want Dolittle to fight for their cause, and this involves the successful mating of an endangered bear and a domesticated circus bear who's forgotten all the bear necessities of life in the wild. The bears are voiced by Lisa Kudrow and Steve Zahn, and they almost steal the show, but the whole menagerie (with digitally animated "talking") is equally amusing. Adults might wish that the filmmakers had tried harder to make a truly memorable sequel, but this is a movie ! for kids, and they're going to love it without quibbling. -! -Jeff Sh annon

Thursday, November 17, 2011

Hilary and Jackie Movie Emily Watson Rachel Griffiths Original Poster- 27x40 custom fit with RichAndFramous Black 27 inch Poster Hangers

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  • Poster Hangers made in USA of strong, lightweight resin for years of use
HILARY AND JACKIE - DVD MovieIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritt! en with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebullient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary ! and Jackie might really be, this is an exceptional, rare film! that is defined and graced by fine acting and writing. --Paula NechakIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's sleeping with Hilary's husband. But don't let that deter you from this ebullient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; p! assion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Paula NechakFrom the moment Jacqueline du Pré first held a cello at the age of five, it was clear she had an extraordinary gift. At sixteen, when she made her professional debut, she was hailed as one of the world's most talented and exciting musicians. But ten years later, she stopped playing ! virtually overnight, when multiple sclerosis removed the feeli! ng in he r hands just before a concert. It took fourteen more years for the crippling disease to take its final toll.

In this uniquely revealing biography, Hilary and Piers du Pré have re-created the life they shared with their sister in astonishing personal detail, unveiling the private world behind the public face. With warmth and candor they recount Jackie's blissful love of the cello, her marriage to the conductor Daniel Barenboim, her compulsions, her suffering, and, above all, the price exacted by her talent on the whole family. For proud as they were of Jackie's enormous success, none of them was prepared for the profound impact her genius would have on each of their lives. . . .Jacqueline du Pré saw the outlines of her short, brilliant, and tragic life when she was still very young. The first time she heard a cello (she was 4 years old), she said, "Mummy, I want to make that sound." She got a cello for her 5th birthday and made her professional debut at age 16. S! he went on to become one of the century's most amazing musicians for 10 years. Then her career was ended by multiple sclerosis. She seems to have foreseen that crippling illness, which killed her at age 42 after years of slow deterioration. She was 9 years old when she confided in her sister, Hilary (who coauthored this biography with their brother, Piers), "Don't tell Mum, but... when I grow up, I won't be able to walk or move." Before she was stricken down, Jacqueline du Pré led a life of unusual richness and complexity. Here that life is examined by her siblings in loving but realistic terms, including the flaws and conflicts as well as the achievements.

The biography formed the basis for the 1998 film starring Emily Watson. It is a sad chronicle of the pitiless disease that twisted Jackie's personality and sanity as well as her body, but also a joyful book about music, the tenderness and rivalries of family life, and above all a singular, tormented! , but buoyant personality. --Joe McLellan As might be! expecte d, the soundtrack to Hilary and Jackie plays a highly prominent role in this film about the emotionally fraught relationship between two gifted sisters, one of whom is the brilliant cellist Jacqueline Du Pré. Certainly composer Barrington Pheloung--whose credits include the Inspector Morse series and the evocative score to Truly, Madly, Deeply--faced a heady challenge in writing music to be heard alongside Du Pré's rhapsodic, signature interpretation of the Edward Elgar Cello Concerto, not to mention other classical selections. Even so, the resonantly autumnal, neo-Romantic flavor of his score aptly mirrors the narrative's flashback-oriented technique. His insistence on the cello's urgent high register (played by soloist Caroline Dale) creates a poignant musical portrait of its tragically stricken protagonist. Most of the CD, however, is given to the entire Elgar concerto--an especially effective choice as against the usual potpourri of classica! l snippets. This charged, elegiac, and easily accessible work--Elgar's own valedictory composition for orchestra--becomes a sort of musical metaphor for Du Pré's emotional journey and gains from being heard in its full context. While the performance featured here is conducted by husband Daniel Barenboim, you'll probably be inspired to try Du Pré's never-bettered version of the Elgar on EMI with John Barbirolli. --Thomas MayIt earned Oscar nods, yet this cinematic look at a genius--that of English cellist Jacqueline du Pré, who enraptured audiences with her bold, emblazoned, and wholly unconventional playing style, and who died at age 42--was criticized for its "lapses" in truth by people who purportedly knew du Pré. Some of the controversy revolved around the other main character in Anand Tucker's gorgeous, involving movie--du Pré's sister, Hilary, whose book, A Genius in the Family (cowritten with brother Piers), dished some dirt on Jackie's s! leeping with Hilary's husband. But don't let that deter you f! rom this ebullient movie experience. The film is a bisected story (each sister's tale is told in the same amount of screen time) teeming with heartfelt drama that belies the cheap shots it received from its detractors. It's stirring, reckless, loving, involving, and rife with unconventional passion; passion for music, life, art, and the delicate relationship between these two synchronous, extraordinary sisters as played by brilliant actors Emily Watson and Rachel Griffiths (both of whom earned Oscar nods). Though Watson got the juicy, showy role as Jackie, it's Griffiths who provides the heart, soul, and spine of the film. And director Tucker has that gift of being able to explain through the visual medium what is happening inside of his character's heads. He's helped by a fine screenplay by Frank Boyce Cottrell. No matter what the truth of Hilary and Jackie might really be, this is an exceptional, rare film that is defined and graced by fine acting and writing. --Pau! la NechakAddresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Addresses issues of concern in the area of women's studies, aiming to offer fresh perspectives on sexuality, paid work, the development process, equal opportunities legislation, lesbian history and women's writing. The book is also concerned with the politics and practice of women's studies.Hilary and Jackie is a 1998 British biographical film directed by Anand Tucker. The screenplay by Frank Cottrell Boyce is based on the memoir A Genius in the Family by Piers and Hilary du Pré, which chronicles the life and career of their late sister, cellist Jacqueline du Pré. The film attracted controversy and criticism for allegedly distorting details in Jacqueline's life, although H! ilary du Pré publicly defended her version of the story.

POGO Hearts, Spades and More!

  • 5 Card Games for Kindle
First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the infamous Shamrock Hotel from which Aiden Keane doesn't collect. But with all that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A dea! l is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please visit: thedivaspen.com.First Installment to "Tale of Three Hearts Series"
Genre: Multi-cultural Women's Fiction
Category: Drama
Word Count 55K
Other book in the series:
Daisy's Choice by Sienna Mynx- Book Two

Description:
Meet Aiden Keane: rich, sexy, and bored. He owns Vegas and every lost soul looking to make it rich. No bets are placed at the infa! mous Shamrock Hotel from which Aiden Keane doesn't collect. Bu! t with a ll that he's acquired, he's squandered even more. Arrogance and curiosity draw Aiden to a young couple down on their luck. One look at Daisy Johnson and a plan forms. A young woman, whose simple, small-town upbringing makes her crave the glamorous life, seems the perfect prey for Aiden's wanderlust. He approaches her and her boyfriend with the promise to make her dreams come true. But does he?

A deal is made. One sex-filled night on his terms with Daisy Johnson will bring about a bounty of a million dollars, free and clear. The stakes? Her dignity, and her young lover's pride. Can the love of money and a young woman's greed destroy the bonds of 'true love'?  Aiden thinks so. It's a wager he's sure to win--until he, too, learns a valuable lesson: play with the wrong woman's heart and you may lose your own.

Publishers Warning:
Explicit Sexual Content, Strong Language, Mild Violence, Dark Humor. For more on Aiden's Game and the books in the series please v! isit: thedivaspen.com.Play 5 popular card games: Hearts, Spades, Euchre, Gin and Canasta.

In Hearts, the goal is to win as few points-paying hearts as possible or to win all the points-paying cards at once. The winner is the one who finishes with the game with the fewest points. In Spades, the goal is to bid and win a specific number of hands, by playing the highest card by round or by playing the highest spade. The team that bids and wins the most hands, wins the game. In Euchre, the goal is for you and your partner to get as many tricks per round as possible. You get tricks by having the highest trump card or highest suited card if no trump card is played. The team that scores 10 points first wins. The goal of Gin is to make sets of cards, based on runs in suit or matching rank. The player who can make the most matches earliest typically wins. In Canasta, you make sets of up to seven cards. The player who first makes sets of all his cards will make the most poi! nts typically wins.

Learn and master each game thro! ugh in-d epth tutorials with rules and tips on how to improve your play and track your stats across all 5 games.

What game are you going to play first

Freakonomics: A Rogue Economist Explores the Hidden Side of Everything (P.S.)

  • ISBN13: 9780060731335
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Which is more dangerous, a gun or a swimming pool?

What do schoolteachers and sumo wrestlers have in common?

How much do parents really matter?

These may not sound like typical questions for an economist to ask. But Steven D. Levitt is not a typical economist. He studies the riddles of everyday lifeâ€"from cheating and crime to parenting and sportsâ€"and reaches conclusions that turn conventional wisdom on its head.

Freakonomics is a groundbreaking collaboration between Levitt and Stephen J. Dubner, an award-winning author and journalist. They set out to explore the inner workings of a crack gang, the truth about real estate agents, the se! crets of the Ku Klux Klan, and much more.

Through forceful storytelling and wry insight, they show that economics is, at root, the study of incentivesâ€"how people get what they want or need, especially when other people want or need the same thing.

Economics is not widely considered to be one of the sexier sciences. The annual Nobel Prize winner in that field never receives as much publicity as his or her compatriots in peace, literature, or physics. But if such slights are based on the notion that economics is dull, or that economists are concerned only with finance itself, Steven D. Levitt will change some minds. In Freakonomics (written with Stephen J. Dubner), Levitt argues that many apparent mysteries of everyday life don't need to be so mysterious: they could be illuminated and made even more fascinating by asking the right questions and drawing connections. For example, Levitt traces the drop in violent crime rates to a drop in violent crimi! nals and, digging further, to the Roe v. Wade decision that pr! eempted the existence of some people who would be born to poverty and hardship. Elsewhere, by analyzing data gathered from inner-city Chicago drug-dealing gangs, Levitt outlines a corporate structure much like McDonald's, where the top bosses make great money while scores of underlings make something below minimum wage. And in a section that may alarm or relieve worried parents, Levitt argues that parenting methods don't really matter much and that a backyard swimming pool is much more dangerous than a gun. These enlightening chapters are separated by effusive passages from Dubner's 2003 profile of Levitt in The New York Times Magazine, which led to the book being written. In a book filled with bold logic, such back-patting veers Freakonomics, however briefly, away from what Levitt actually has to say. Although maybe there's a good economic reason for that too, and we're just not getting it yet. --John Moe

Lost in Translation

  • Oscar for Best Original Screenplay
  • A Conversation with Bill Murray and Sofia Coppola
  • "Lost" on Location: Behind the Scenes Documentary
  • "City Girl" Music Video by Kevin Shields
  • Extended and Deleted Scenes and More
Bill Murray (Lost in Translation) stars in the comedic story of an aging Don Juan who hits the road on a revealing and humorous cross-country journey. When a mysterious pink letter informs Don Johnston (Murray) that he may have a 19-year-old son, he visits four former lovers, where he comes face to face with the errors of his past and the possibilities of the future. From acclaimed director Jim Jarmusch and co-starring Sharon Stone, Frances Conroy, Jessica Lange, Tilda Swinton, and Jeffrey Wright, Broken Flowers is the highly original comedy that Peter Travers of Rolling Stone says is "filled with wonderful mischief" and "brings out the best in Bil! l Murray." Starring: Bill Murray, Sharon Stone, Jessica Lange, Jeffrey Wright, Tilda Swinton, Frances Conroy, Julie Delpy, Mark Webber, Chloe Sevigny, Christopher McDonald, Alexis Dziena Directed by: Jim JarmuschBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and T! ilda Swinton, The Deep End) who were once his lovers. P! art road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's "Broken Flowers". Don Johnston (Murray, "Lost in Translation", "Rushmore") receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, "Shaft", "Basquiat"), who not on! ly tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, "The Quick and the Dead"; Frances Conroy, "Six Feet Under"; Jessica Lange, "Sweet Dreams"; and Tilda Swinton, "The Deep End") who were once his lovers. Part road movie, part detective story, part existential meditation, "Broken Flowers" is even more minimalist than most Jarmusch movies ("Stranger Than Paradise", "Dead Man", "Mystery Train")--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--"Broken Flowers" will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. "--Bret Fetzer"Bill Murray gives yet another simple, seemingly effortless, y! et illuminating performance in Jim Jarmusch's Broken Flower! s. D on Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for any! one willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzer

SHE WAS TOO GROWN-UP FOR CHILDISH GAMES.

BUT TOO YOUNG TO BECOME A WOMAN. . . .

Living with her parents and brother, Ian, in her Grandmother Emma's enormous mansion, Jordan March tries to be a good girl and follow her grandmother's strict rules. It's easy for Jordan to hide in the shadows -- between Ian's brilliant, all-consuming talents for science and the ever-more-frequent arguments among the grown-ups. But one day, without warning, Jordan's body begins to change -- and everyone notices her in a way that seems dark, dangerous, and threatening. Suddenly the March family secrets are unleashed, and Jordan is ashamed and afraid that her soft curves ! are unwelcome indeed. Shipped off to a lakeside hideaway, Jord! an and I an befriend a girl whose shocking revelations make for a summer of scandal and explosive emotion. Outraged, Grandmother Emma sets out to make Jordan pay for her family's past mistakes, sending her world spinning wildly out of control. . . .Universal, Studios, Region 2 PAL 2005 106 minsBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances ! Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzertitolo-broken flowersetichetta-decca (black and white)-n. dischi1data23 novembre 2005supporto-cd audiogenere-pop e rock internazionalecolonne sonore-----brani-1.the greenhornes with holly golightly - there is an endascolta2.mulatu astatke - yegelle tezetaascolta3.the tenno! rs - ride your donkeyascolta4.marvin gaye - i want youascolta5! .mulatu astatke - yekermo sewascolta6.brian jonestown massacre - not if you were the last dandy on earthascolta-7.holly golightly - tell me now so i knowascolta8.mulatu astatke - gubelyeascolta9.dopesmoker - sleepascolta10.oxford camerata - requiem, op.48 by gabriel fauriascolta11.dengue fever - ethanopiumascolta12.the greenhornes - unnaturalWill this soundtrack do for Ethiopian composer and musician Mulatu Astatke what Titanic did for Celine Dion? Well...maybe on a much, much smaller scale. Astatke's circle of Western fans has already expanded thanks to the compilation Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-¬1974, and Jim Jarmusch's movie puts his hypnotic instrumentals to great use. This isn't surprising, since Jarmusch is a filmmaker with a natural affinity for music and its use onscreen. Here, a three-minute excerpt from stoner-rock legend Sleep's titanic "Dopesmoker" only offers a sample of the song (it actually lasts an hour) but it still ! sounds awesome, especially stuck between an Astatke track and Gabriel Fauré's "Requiem, Op. 48 (Pie Jesu)." Garage vets the Greenhornes and Holly Golightly contribute tracks together and separately, while indie-rockers Brian Jonestown Massacre's "Not If You Were the Last Dandy on Earth" (an answer song to the Dandy Warhols' "Not If You Were the Last Junkie on Earth") sounds as bilious now as it did in 1997. This is a rare case of a soundtrack that pulls together a broad range of artists yet remains oddly consistent--no doubt because it was assembled by a director with vision instead of a focus group. --Elisabeth Vincentelli

Bill Murray (Actor), Scarlett Johansson (Actor), Sofia Coppola (Director) | Rated: R | Format: DVD

  • # DVD Release Date: May 3, 2009
  • # Run Time: 104 minutes
Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà! vu, even though you've probably never been to this neon-fused! version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romanti! cally, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas

Bait Shop

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Down on his luck after losing his job and his girlfriend on the same day, Larry decides to join his neighbor, Bill (Bill Engvall), and his combat-happy buddy, Everett (DJ Qualls), for a relaxing weekend of drinking and target practice. But when the three hapless guys are mistaken for Army Reservists by the hard-nosed Sergeant Kilgore (Keith David), they're loaded onto an army plane headed for Fallujah, Iraq - and mistakenly ejected in a Humvee somewhere over Mexico. Convinced they're actually in the Middle East, the clueless wannabe soldiers save a rural village from a siege of bandits and become local heroes. But when Carlos Santana (Danny Trejo), a ruthless, karaoke-loving warlord, strikes back, Larry, Bill and Everett have to lay down their beers and take up their! arms - and prove they just might be real soldiers after all...Delta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Pri! vates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonMovie DVDDelta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they shoul! d get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors" in the Army Reserve. Delta Farce's one great inspiration was to literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our count! ry, has no political agenda. It is content to engage in name-c! alling ( "carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonDown on his luck after losing his job and his girlfriend on the same day, Larry decides to join his neighbor, Bill (Bill Engvall), and his combat-happy buddy, Everett (DJ Qualls), for a relaxing weekend of drinking and target practice. But when the three hapless guys are mistaken for Army Rese! rvists by the hard-nosed Sergeant Kilgore (Keith David), they're loaded onto an army plane headed for Fallujah, Iraq - and mistakenly ejected in a Humvee somewhere over Mexico. Convinced they're actually in the Middle East, the clueless wannabe soldiers save a rural village from a siege of bandits and become local heroes. But when Carlos Santana (Danny Trejo), a ruthless, karaoke-loving warlord, strikes back, Larry, Bill and Everett have to lay down their beers and take up their arms - and prove they just might be real soldiers after all...Delta Farce takes its cue from John Kerry's ill-advised 2006 joke to university students that they should get a good education lest they wind up in Iraq. Case in point, Larry (Larry the Cable Guy), Bill (Bill Engvall, Larry's Blue Collar Comedy costar), and Everett (D.J. Qualls, geek first class from RoadTrip), who take respite from their failed relationships, jobs, and lives in their once-a-month stint as "weekend warriors"! in the Army Reserve. Delta Farce's one great inspirati! on was t o literally drop these clueless sad sacks into Mexico instead of Fallujah. After much confusion, they become the not-so-magnificent three, helping besieged villagers fend off a gang of bandits led by the dread Carlos Santana (insert your own guitarist jokes). Delta Farce belongs to a mostly proud tradition of morale-building military misfit comedies, but it ranks closer to Ernest in the Army or Pauly Shore's In the Army Now than to Buck Privates or Stripes. Delta Farce, dedicated to "the real men and women" who are serving our country, has no political agenda. It is content to engage in name-calling ("carpet-flyers" and "turds" are two we can print here), broad slapstick, decidedly un-PC ethnic stereotypes and epithets ("retarded" is used as a punchline on several occasions), and the occasional gross-out gag (the always reliable urine-in-a-canteen bit). The usually menacing Danny Trejo (Con Air) steals the film outright (which! in this case is petty theft) as the karaoke-singing Carlos. But for Larry the Cable guy fans, and those who miss the sophisticated good ol' boy humor of Smokey and the Bandit (whose theme song is to this movie what Wagner's "Flight of the Valkyries" was to Apocalypse Now), Delta Farce may just "git r done." --Donald LiebensonStudio: Lions Gate Home Ent. Release Date: 11/16/2010Larry The Cable Guy plays a big city health inspector who's happy with his usual beat of greasy spoon diners. His easygoing life is turned upside down when he's saddled with a straight arrow rookie partner. When his unorthodox methods cost him his job, Larry has to go undercover to bring the conspirators to justice and "Git-R-Done!"The redneck rube from the Blue Collar Comedy Tour franchise plays a character much like himself in this feature, which balances Larry the Cable Guy's occasional excesses in toilet humor with strong comic performances from the supportin! g cast. Larry plays a dedicated health inspector who gets in o! ver his head when the city mayor (Joe Pantoliano) personally appoints him to investigate a rash of food poisonings at five-star restaurants. Larry's ignorance of anything cultural that doesn't involve his truck or MoonPies proves a handicap, but his knowledge of vermin and disarmingly unabashed way of interviewing witnesses and suspects slowly gets him where he needs to go. For the most part, the movie gives the comedian plenty of room to indulge his gross-out shtick. But it helps to have some other talent on board, notably Tom Wilson as Larry's exasperated boss, Iris Bahr as a dreary new partner Larry thinks is a man, David Koechner as a halfwit friend, Joanna Cassidy as a restaurant owner, and Megyn Price as Larry's shy but headstrong girlfriend. --Tom KeoghLarry the Cable Guy returns for another comic misadventure as a small town sheriff who unwittingly gets involved in a high profile FBI case. Larry single-handedly "rescues" a sophisticated woman from the men who are actu! ally protecting her. The hilariously mismatched duo must grapple with angry FBI agents, quack doctors and Chicago high society in his funniest, most unpredictable adventure yet.It's official; Larry the Cable Guy is the new Ernest, and critics be damned. You want smart and sophisticated? Buy The Noel Coward Collection. Larry's a populist from the "I'd rather keep my fans happy" school, and his loyal following will be ecstatic with this film's broad slapstick, what one initially offended character calls "feeble, juvenile, and bigoted" humor, and gross-out bodily function gags (nude body-cavity search, anyone?). Larry portrays a small-town deputy with dreams of becoming an FBI special agent. "I know a criminal when I see one, a rat when I smell one, and a bad moon when it rises," he drawls. When he spies a woman (Ivana Milicevic) in the company of sinister-looking, Men in Black types, he rescues the "damsel in dee-stress." However, she is a government-protected w! itness en route to Chicago to testify in a sensational trial o! f Enron proportions. "Are you insane?" she asks him. "No," he replies, "I'm Larry." The film gets plenty of mileage out of their odd coupleness. Her cell-phone ringtone is classical music; his is the theme from Green Acres. She eats salads; he gorges himself on sausage. She's a liberal (who gets off an "impeach Bush" joke) and he bleeds U.S. Red (at one point, the action pauses for a small-town "Support Our Troops" parade).

Witless Protection also benefits from some oddball casting. Yaphet Kotto costars as FBI Agent Alonzo Mosely (the name of his character in the classic Midnight Run). Peter Stormare, the silent, creepy kidnapper in Fargo, portrays a corrupt businessman with an unaccountable British accent. In a baffling cameo, Joe Mantegna seems to be channeling Strother Martin, while Jenny McCarthy serves up some sass as Larry's waitress girlfriend, nuff said, and a game Eric Roberts is a goon who butts heads with Larry in an epic fight scene. Some j! okes are stale (Larry dredges up Regis Philbin's Who Wants to Be a Millionaire catch-phrase), while others are current enough to reference Michael Vick and Angelina Jolie. It is a sign of artistic growth that Larry does not utter his own signature catch-phrase, so we won't either. Witless Protection was released theatrically during Oscar weekend, when Hollywood celebrates supreme achievement in film. This is what is known in the business as counter-programming. --Donald LiebensonStudio: Lions Gate Home Ent. Release Date: 09/02/2008 Run time: 85 minutes Rating: PgBait Shop stars the eternally affable yet exasperated comedian Bill Engvall as Bill Dugan, owner of a homey but smalltime bait shop. Bill's job and self-respect are threatened when arrogant fishing celebrity Hot Rod Johnson (Billy Ray Cyrus, better known as Miley's dad) opens a massive fishing superstore right next door. Only by challenging Hot Rod in a bass fishing tournament can Bil! l set things right! Bait Shop is a bundle of clumsy cli! ches mad e somewhat tolerable by a likable cast (including outlaw country music singer Billy Joe Shaver as Bill's mentor) and an enthusiastic performance by Cyrus, who clearly enjoys being the bad guy for once. High points include Bill having a bar fight while dressed in a fish costume and Bill wrestling an obviously rubber bass into his boat. There are many declarations about how fishing used to be more pure and how friendship is the most important thing in life. Extras include a standard-issue making-of documentary, some beautiful shots of the local landscape (which, inexplicably, never got used in the movie itself), some understandably deleted scenes and some scenes of the cast goofing around. All in all, not much effort was put into making either the movie or the DVD. --Bret Fetzer

Half Past Dead

  • ISBN13: 9780758246974
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
At a re-activated Alcatraz, a Supreme Court justice has been taken hostage, a criminal slated for death knows where to find $200 million dollars, commandos prepare to storm the Rock and a lone FBI agent tries to neutralize the situation.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 3-FEB-2004
Media Type: DVDDespite critical roasting and a blink-and-you-missed it theatrical release, Half Past Dead is surprisingly not half bad. Once you recognize this bastard child's recent action-flick heritage (The Rock being the most obvious of a dozen pilfered plot lines), you can kick back and enjoy the unexpected perks that arise when a deep-c! over FBI sleuth (Steven Seagal) accompanies a convicted crook (rapper Ja Rule) into "New Alcatraz" prison. A death-row killer (Bruce Weitz) sits on a $200 million goldmine, keeping his secret as a bargaining chip when criminal commandos (led by the ever-cool Morris Chestnut) drop in for a lethally greedy raid. After cutting his teeth on trashy, short-lived TV series, director Don Michael Paul can't do much to help the puffy, career-tanking Seagal, but he's got lively allies in Ja Rule and alleged "has-been" Nia Peeples (forget Lara Croft, this babe rocks), and even legendary action-TV producer Stephen J. Cannell drops in for a cameo. Derivative from the get-go, but fun just the same. --Jeff Shannon

Former WWE & WCW World Champion Bill Goldberg and hip-hop group Tha Dog Pound's Ricardo "Kurupt" Brown push life to the limit in this explosive sequel to the 2002 hit movie Half Past Dead.

Burk (Goldberg) and Twitch (Kurupt), are two inmates serving! time at Craton Prison, a notoriously tough and violent penite! ntiary r uled by rival gangs. When a riot breaks out and the prison goes into lockdown, the two must form an unlikely alliance to stay alive. Together, they navigate the hostile gang territory under the watchful eye of unsympathetic prison guards, in order to learn the identity of the inmate responsible for the riot. Eventually Burk discovers that gang leader, Cortez, is behind the riot and find that he's taken two hostages: Cherise, Twitch's fiancee and Ellie, Burk's daughter. Twitch and Burk find they must work together in order to save their loved ones and bring Cortez down.

Welcome to Alcatraz. "The Rock" has just re-opened for business, but the first criminal slated for the electric chair is also sitting on a secret worth $200 million. And an invading group of commandos (led by Morris Chestnut) isn't going to let his fortune go up in smoke. Already undercover in Alcatraz, FBI Agent Petrosevitch (Steven Seagal) has to neutralize the situation and rescue a Supreme Court Justice! held hostage. Worse, he has to convince his convict "partner" (Ja Rule) and the other inmates to fight on the right side of the law.Despite critical roasting and a blink-and-you-missed it theatrical release, Half Past Dead is surprisingly not half bad. Once you recognize this bastard child's recent action-flick heritage (The Rock being the most obvious of a dozen pilfered plot lines), you can kick back and enjoy the unexpected perks that arise when a deep-cover FBI sleuth (Steven Seagal) accompanies a convicted crook (rapper Ja Rule) into "New Alcatraz" prison. A death-row killer (Bruce Weitz) sits on a $200 million goldmine, keeping his secret as a bargaining chip when criminal commandos (led by the ever-cool Morris Chestnut) drop in for a lethally greedy raid. After cutting his teeth on trashy, short-lived TV series, director Don Michael Paul can't do much to help the puffy, career-tanking Seagal, but he's got lively allies in Ja Rule and alleged "has-been"! Nia Peeples (forget Lara Croft, this babe rocks), and ! even leg endary action-TV producer Stephen J. Cannell drops in for a cameo. Derivative from the get-go, but fun just the same. --Jeff ShannonWelcome to Alcatraz. "The Rock" has just re-opened for business, but the first criminal slated for the electric chair is also sitting on a secret worth $200 million. And an invading group of commandos (led by Morris Chestnut) isn't going to let his fortune go up in smoke. Already undercover in Alcatraz, FBI Agent Petrosevitch (Steven Seagal) has to neutralize the situation and rescue a Supreme Court Justice held hostage. Worse, he has to convince his convict "partner" (Ja Rule) and the other inmates to fight on the right side of the law.Despite critical roasting and a blink-and-you-missed it theatrical release, Half Past Dead is surprisingly not half bad. Once you recognize this bastard child's recent action-flick heritage (The Rock being the most obvious of a dozen pilfered plot lines), you can kick back and enjoy the unexp! ected perks that arise when a deep-cover FBI sleuth (Steven Seagal) accompanies a convicted crook (rapper Ja Rule) into "New Alcatraz" prison. A death-row killer (Bruce Weitz) sits on a $200 million goldmine, keeping his secret as a bargaining chip when criminal commandos (led by the ever-cool Morris Chestnut) drop in for a lethally greedy raid. After cutting his teeth on trashy, short-lived TV series, director Don Michael Paul can't do much to help the puffy, career-tanking Seagal, but he's got lively allies in Ja Rule and alleged "has-been" Nia Peeples (forget Lara Croft, this babe rocks), and even legendary action-TV producer Stephen J. Cannell drops in for a cameo. Derivative from the get-go, but fun just the same. --Jeff Shannon
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 12-AUG-2008
Media Type: Blu-RayDespite critical roasting and a blink-and-you-missed it theatrical release, Half Past Dead! is surprisingly not half bad. Once you recognize this bastard! child's recent action-flick heritage (The Rock being the most obvious of a dozen pilfered plot lines), you can kick back and enjoy the unexpected perks that arise when a deep-cover FBI sleuth (Steven Seagal) accompanies a convicted crook (rapper Ja Rule) into "New Alcatraz" prison. A death-row killer (Bruce Weitz) sits on a $200 million goldmine, keeping his secret as a bargaining chip when criminal commandos (led by the ever-cool Morris Chestnut) drop in for a lethally greedy raid. After cutting his teeth on trashy, short-lived TV series, director Don Michael Paul can't do much to help the puffy, career-tanking Seagal, but he's got lively allies in Ja Rule and alleged "has-been" Nia Peeples (forget Lara Croft, this babe rocks), and even legendary action-TV producer Stephen J. Cannell drops in for a cameo. Derivative from the get-go, but fun just the same. --Jeff ShannonFormer WWE and WCW World Champion Bill Goldberg and hip-hop group Tha Dog Pound's Ricardo "K! urupt" Brown push life to the limit in this explosive sequel to the 2002 hit movie Half Past Dead. Burk (Goldberg) and Twitch (Kurupt) are two inmates serving time at Craton Prison, a notoriously tough and violent penitentiary ruled by rival gangs. When a riot breaks out and the prison goes into lockdown, the two must form an unlikely alliance to stay alive. Together, they navigate the hostile gang territory under the watchful eye of unsympathetic prison guards, in order to learn the identity of the inmate responsible for the riot. Eventually Burk discovers that gang leader, Cortez, is behind the riot and find that he's taken two hostages: Cherise, Twitch's fiancee and Ellie, Burk's daughter. Twitch and Burk find they must work together in order to save their loved ones and bring Cortez down.The Undying Heart by Zoe Archer - Samuel Reed had no idea magic existed, until it almost destroyed him. Thirsting for vengeance against the enemy who made him something less than human,! Sam returns to England and crosses paths with Cassandra Field! ing. His best friend's little sister has become a fearless woman on a dangerous mission of her own. And against all odds, she sees past what he's become, and stirs a desire he thought he'd lost forever...Simon Says by Bianca D'Arc - Special Forces soldier Simon Blackwell ended his affair with Mariana Daniels three years ago, but he hasn't stopped protecting her. Mariana has no knowledge of the dark, deadly creatures that lurk in the forest surrounding her clinic, or of the mysterious powers that make Simon the only one who can defeat them. But soon he'll have no choice but to reveal the truth, and urge her to trust in an explosive passion that never faded.

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